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“On the System of Stravinsky’s Harmony” by Yuri Kholopov
12 references·3 citing·26 second hop
“On the System of Stravinsky’s Harmony” by Yuri Kholopov (2013)“On the System of Stravinsky’s Harmony” b…Rethinking Octatonicism (2012)Rethinking OctatonicismCatching Up with Rimsky-Korsakov (2011)Catching Up with Rimsky-Korsa…Stravinsky and the Russian Traditions: A Biography of the Works through Mavra (1999)Stravinsky and the Russian Tr…Stravinsky and the Russian Traditions (1996)Stravinsky and the Russian Tr…Russian theorists on modality in Shostakovich's music (1995)Russian theorists on modality…The Music of Igor Stravinsky (1983)The Music of Igor StravinskyStravinsky's "Tonal Axis" (1982)Stravinsky's "Tonal Axis"Dialogues and a diary (1968)Dialogues and a diaryProblems of Pitch Organization in Stravinsky (1963)Problems of Pitch Organizatio…Expositions and Developments (1962)Expositions and DevelopmentsMemories and commentaries (1960)Memories and commentariesConversations with Igor Stravinsky (1959)Conversations with Igor Strav…On the Russian Concept of Lād, 1830–1945 (2019)On the Russian Concept of Lād…Prokofiev’s Symphony no. 2, Yuri Kholopov, and the Theory of Twelve-Tone Chords (2018)Prokofiev’s Symphony no. 2, Y…A Glimpse at Iuriĭ Kholopov’s Garmonicheskiĭ analiz (2014)A Glimpse at Iuriĭ Kholopov’s…Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle" (1985)Building Blocks: Repetition and Continuity in the Music of Stravinsky (2012)Special Collections (2016)Footnotes to Stravinsky Studies: ‘Le Sacre du printemps‘ (1979)Stravinsky's "Les Noces" and Russian Village Wedding Ritual (1990)Musical Voyages and Their Baggage: Orientalism in Music and Critical Musicology (2011)Ida Rubinstein: A Twentieth-Century Cleopatra (1988)"Rigoroso (♪ = 126)": "The Rite of Spring" and the Forging of a Modernist Performing Style (1999)Stravinsky and the Octatonic: A Reconsideration (2002)Acquiring the phonology of lexical tone in infancy (2000)The orchestral revolution: Haydn and the technologies of timbre (2013)Performance Practice in the Music of Steve Reich (2016)Stravinsky's "Mass" and Stravinsky Analysis (1989)Musical Time and Continuity as a Reflection of the Historical Situation of Modern Composers (1991)Harmony and Voice Leading in the Music of Stravinsky (2014)"National in Form, Socialist in Content": Musical Nation-Building in the Soviet Republics (1998)The quilting points of musical modernism: revolution, reaction, and William Walton (2013)Pathway, Blockage, and Containment in Density 21.5 (2016)Stravinsky's "Special Sense": The Rhetorical Use of Tonality in "The Rake's Progress" (1997)American Stravinsky : The Style and Aesthetics of Copland's New American Music, the Early Works, 1921-1938 (2012)Scale Networks and Debussy (2004)Extraordinary Measures (2011)Gestural Imaginaries (2019)Beethoven's Other Humanism (2009)The Rake's Progress as Opera Museum (2009)Stravinsky and the Russian period: sound and legacy of a musical idiom (2013)
this work references cited by second hop

References

  • 1996Stravinsky and the Russian Traditions306 cited
  • 1962Expositions and Developments136 cited
  • 1959Conversations with Igor Stravinsky131 cited
  • 1963Problems of Pitch Organization in Stravinsky127 cited
  • 1960Memories and commentaries117 cited
  • 2011Catching Up with Rimsky-Korsakov99 cited
  • 1999Stravinsky and the Russian Traditions: A Biography of the Works through Mavra89 cited
  • 1983The Music of Igor Stravinsky82 cited
  • 1968Dialogues and a diary49 cited
  • 1982Stravinsky's "Tonal Axis"31 cited
  • 2012Rethinking Octatonicism16 cited
  • 1995Russian theorists on modality in Shostakovich's music15 cited

Cited by

  • 2019On the Russian Concept of Lād, 1830–19458 cited
  • 2014A Glimpse at Iuriĭ Kholopov’s Garmonicheskiĭ analiz5 cited
  • 2018Prokofiev’s Symphony no. 2, Yuri Kholopov, and the Theory of Twelve-Tone Chords4 cited

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