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Cited by

• 2010The future of sensory anthropology/the anthropology of the senses179 cited
• 2016Just Vibrations103 cited
• 2011Negotiating Underwater Space: The Sensorium, the Body and the Practice of Scuba-diving73 cited
• 2017Listening to North Indian Classical Music: How Embodied Ways of Listening Perform Imagined Histories and Social Class55 cited
• 2015Researching the Senses as Knowledge53 cited
• 2015The Rhythm of Combat: Understanding the Role of Music in Performances of Traditional Chinese Martial Arts and Lion Dance37 cited
• 2013Lessons from a Martial Arts Dojo: A Prolonged Process Model of High-Context Communication37 cited
• 2015Fascination, Musical Tourism, and the Loss of the Balkan Village (Notes on Bulgaria’s Koprivshtitsa Festival)19 cited
• 2010Somaesthetics of Music.19 cited
• 2021Music for Global Human Development18 cited
• 2013"Dancing Fingers": Embodied Lineages in the Performance of Okinawan Classical Music17 cited
• 2018Sonic Poetics of Home and the Art of Making Do in Sinophone Toronto16 cited
• 2017Singing through the Screen: Indian Idol and the Cultural Politics of Aspiration in Post-Liberalization India14 cited
• 2020On theory, citational practices and personal accountability in the study of music and affect