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Uncanny bodies: the coming of sound film and the origins of the horror genre
0 references·6 citing·18 second hop
Uncanny bodies: the coming of sound film and the origins of the horror genre (2008)Uncanny bodies: the coming of sound film …Monstrous Forms (2019)Monstrous FormsKiller Pov: First-Person Camera and Sympathetic Identification in Modern Horror (2018)Killer Pov: First-Person Came…Mary Shelley’s Frankenstein (2013)Mary Shelley’s FrankensteinDiegetic Withdrawal and Other Worlds: Film Music Strategies before King Kong , 1927–1933 (2013)Diegetic Withdrawal and Other…Aural Atavism:The Witch's Taleand Gothic Horror Radio (2012)Aural Atavism:The Witch's Tal…Horror to the Extreme: Changing Boundaries in Asian Cinema (2009)Horror to the Extreme: Changi…The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Orality and Literacy (1982)All that is solid melts into air : the experience of modernity (1995)Regeneration Through Violence: The Mythology of the American Frontier, 1600-1860 (1974)The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (1986)Unheard melodies: narrative film music (1988)The sublime object of ideology (1990)Diagnostic and Statistical Manual of Mental Disorders ( DSM ‐ IV ‐ TR ) (2010)Visual Pleasure and Narrative Cinema (1975)The Address of the Eye: A Phenomenology of Film Experience (1993)Gaming: essays on algorithmic culture (2007)The Imaginary Signifier: Psychoanalysis and the Cinema (1983)Powers of Horror: An Essay on Abjection (1984)Men, women, and chain saws: gender in the modern horror film (1992)Mary Shelley: Her Life, Her Fiction, Her Monsters (1989)Vampyres : Lord Byron to Count Dracula (1991)Celluloid Projections: Images of Technology and Organizational Futures in Contemporary Science Fiction Film (1995)Frankenstein's daughters: women writing science fiction (1997)
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Cited by

  • 2009Horror to the Extreme: Changing Boundaries in Asian Cinema21 cited
  • 2019Monstrous Forms17 cited
  • 2013Mary Shelley’s Frankenstein14 cited
  • 2013Diegetic Withdrawal and Other Worlds: Film Music Strategies before King Kong , 1927–19338 cited
  • 2018Killer Pov: First-Person Camera and Sympathetic Identification in Modern Horror7 cited
  • 2012Aural Atavism:The Witch's Taleand Gothic Horror Radio6 cited

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