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Improvisation & Identity: a Qualitative Study
13 references·6 citing·31 second hop
Improvisation & Identity: a Qualitative Study (2007)Improvisation & Identity: a Qualitative S…Revolution in Poetic Language (2024)Revolution in Poetic LanguageRethinking Psychology (2016)Rethinking PsychologyEmpirical Musicology: Aims, Methods, Prospects (2005)Empirical Musicology: Aims, M…Empirical musicology : aims, methods, prospects (2004)Empirical musicology : aims, …No Sound Is Innocent: Amm and the Practice of Self-Invention Meta-Musical Narratives Essays (1995)No Sound Is Innocent: Amm and…Free collective improvisation in higher education (1995)Free collective improvisation…Social Theory and Psychoanalysis in Transition: Self and Society from Freud to Kristeva. (1994)Social Theory and Psychoanaly…Sexual subversions: three French feminists (1990)Sexual subversions: three Fre…Language--the unknown: an initiation into linguistics (1989)Language--the unknown: an ini…Contemplating Music: Challenges to Musicology (1989)Contemplating Music: Challeng…The Kristeva reader (1986)The Kristeva readerPowers of Horror: An Essay on Abjection (1984)Powers of Horror: An Essay on…Desire in Language: A Semiotic Approach to Literature and Art (1981)Desire in Language: A Semioti…Facilitating Collective Free Improvisation Learning in Teacher Education (2023)Facilitating Collective Free …Experiences of Musical Improvisation: Self-Individuation and Participatory Sense-Making (2022)Experiences of Musical Improv…The Value of Learning Collective Free Music Improvisation: Preservice Music Educators’ Perspectives (2021)The Value of Learning Collect…Collective Free Music Improvisation as a Sociocommunicative Endeavor: A Literature Review (2018)Collective Free Music Improvi…Irréductibles défenseurs de la composition improvisée à New York (2016)Irréductibles défenseurs de l…Free Improvisation as Living Expression (2013)Free Improvisation as Living …The Structure of Atonal Music (1973)Music in Everyday Life (2000)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)Luces y sombras en los estudios sobre las mujeres y la música (2010)Standing ‘on our own two feet’: A comparison of teacher-directed and group learning in an extra-curricular instrumental group (2012)The Limits of Resilience and the Need for Resistance: Articulating the Role of Music Therapy With Young People Within a Shifting Trauma Paradigm (2021)Critical Discourse Analysis and the Marketization of Public Discourse: The Universities (1993)Discourse Analysis as Theory and Method (2002)Methodology of the Oppressed (2010)Reflexive Inquiry in Organizational Research: Questions and Possibilities (2003)The Subject of Virtue: An Anthropology of Ethics and Freedom (2013)Critical Discourse Analysis in Education: A Review of the Literature (2005)Discourse analysis: theoretical and historical overview and review of papers in the Journal of Advanced Nursing 1996–2004 (2006)A sonic geography of voice (2011)Reflexive research and the grounding of analysis: Social psychology and the psy‐complex (1994)In Defence of Representations (1996)Subject, Psyche and Agency (1999)African Modes of Self-Writing (2002)Globalization and Religious Nationalism: Self, Identity, and the Search for Ontological Security (2004)Language and Sexuality (2003)The Network Paradigm in Organizational Research: A Review and Typology (2003)Suspending Damage: A Letter to Communities (2009)Musicology as a Political Act (1993)The Imaginary Museum of Musical Works (1994)Jazz Among the Discourses (1995)Beyond the divide between cognition and discourse: Using interpretative phenomenological analysis in health psychology (1996)Giving voice and making sense in interpretative phenomenological analysis (2006)The Cultural Psychology of Development: One Mind, Many Mentalities (2007)Critical frames in educational research: Feminist and post‐structural perspectives (1992)Getting Personal: Reflexivity, Positionality, and Feminist Research∗ (1994)Affective spaces, melancholic objects: ruination and the production of anthropological knowledge* (2009)
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References

  • 1984Powers of Horror: An Essay on Abjection7,345 cited
  • 1981Desire in Language: A Semiotic Approach to Literature and Art3,077 cited
  • 2024Revolution in Poetic Language2,337 cited
  • 1986The Kristeva reader976 cited
  • 1990Sexual subversions: three French feminists498 cited
  • 1989Contemplating Music: Challenges to Musicology350 cited
  • 2016Rethinking Psychology248 cited
  • 1989Language--the unknown: an initiation into linguistics145 cited
  • 1994Social Theory and Psychoanalysis in Transition: Self and Society from Freud to Kristeva.78 cited
  • 2005Empirical Musicology: Aims, Methods, Prospects70 cited
  • 2004Empirical musicology : aims, methods, prospects67 cited
  • 1995No Sound Is Innocent: Amm and the Practice of Self-Invention Meta-Musical Narratives Essays24 cited
  • 1995Free collective improvisation in higher education14 cited

Cited by

  • 2018Collective Free Music Improvisation as a Sociocommunicative Endeavor: A Literature Review11 cited
  • 2022Experiences of Musical Improvisation: Self-Individuation and Participatory Sense-Making4 cited

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2013
Free Improvisation as Living Expression
4 cited
  • 2021The Value of Learning Collective Free Music Improvisation: Preservice Music Educators’ Perspectives4 cited
  • 2023Facilitating Collective Free Improvisation Learning in Teacher Education3 cited
  • 2016Irréductibles défenseurs de la composition improvisée à New York2 cited