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The Birth of Korean Cool: How One Nation Is Conquering the World Through Pop Culture
0 references·15 citing·48 second hop
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  • 2020East Asian pop music idol production and the emergence of data fandom in China170 cited
  • 2020Moments of relational work in English fan translations of Korean TV drama50 cited
  • 2016Beauty Between Empires: Global Feminism, Plastic Surgery, and the Trouble with Self-Esteem40 cited
  • 2020Translating the other: Communal TV watching of Korean TV drama30 cited
  • 2022Oegugin Influencers and pop nationalism through government campaigns: Regulating foreign‐nationals in the South Korean YouTube ecology22 cited
  • 2018The politics of apology: The ‘Tzuyu Scandal’ and transnational dynamics of K-pop18 cited
  • 2017Transnational Cultural Events among Korean Immigrants in the New York-New Jersey Area17 cited
  • 2015The South Korean Music Industry: A Literature Review16 cited
  • 2017When public diplomacy faces trade barriers and diplomatic frictions: the case of the Korean Wave12 cited
  • 2023K-Pop and the Creative Participatory Engagement of Thai Fans: When Cultural Hybridity Becomes Cultural Authenticity5 cited
  • 2021K-Pop 4E, azaz a kreatív és kulturális ipari marketing-mix elemeinek bemutatása a dél-koreai popzenében (K-Popban) és filmsorozatoknál (K-drámáknál) használt marketing eszközök példáján keresztül5 cited
  • 2022Realitas Sosial Remaja Penggemar Budaya Korea (K-POP) di Bandar Lampung4 cited
  • 2016Euny Hong, The Birth of Korean Cool (2014)

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4 cited
  • 2017From South Korea to the Southern Hemisphere4 cited
  • 2018Visual arts marketing in East Asia4 cited