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French Music from the Death of Berlioz to the Death of Faure
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French Music from the Death of Berlioz to the Death of Faure (1951)French Music from the Death of Berlioz to…Nonlinear Changes in the Rhythm of European Art Music (2016)Nonlinear Changes in the Rhyt…Nations and nationalism (2001)Nations and nationalismThe Composer as Intellectual: Ideological Inscriptions in French Interwar Neoclassicism (1999)The Composer as Intellectual:…Ariane et Barbe-Bleue: Dukas, the light and the well (1997)Ariane et Barbe-Bleue: Dukas,…Charpentier's Operatic "Roman Musical" as Read in the Wake of the Dreyfus Affair (1992)Charpentier's Operatic "Roman…Formulaic Openings in Debussy (1984)Formulaic Openings in DebussyThe Art Of Accompanying And Coaching (1965)The Art Of Accompanying And C…Desire in language (1980)Les Droites en France (1982)Esprit de corps: the art of the Parisian avant-garde and the First World War, 1914-1925 (1990)Between Anarchism and the Box Office: Gustave Charpentier's "Louise" (1995)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The Invention of Tradition (1986)French Identity in Flux: The Triumph of Honegger's Antigone (2006)L'ethnologie musicale selon André Schaeffner, entre musée et performance (2006)The Music of Pavel Haas (2020)Between Romanticism and Modernism (1980)The New Grove Dictionary of Music and Musicians (1982)The Sacred and The Profane: The Nature of Religion (1987)Debussy's Trois Chansons de Bilitis: Song, Opera, and the Death of the Subject (1994)Traversing distances: Pitch organization, gesture and imagery in the late works of T l ru Takemitsu (2002)Valuing the Surplus: Perspectives on Julian Horton's Article ‘On the Musicological Necessity of Music Analysis’, Musical Quarterly, 3/i–ii, pp. 62–104.Contributors: Kofi Agawu, Gurminder K. Bhogal, Esther Cavett, Jonathan Dunsby, Julian Horton, Alexandra Monchick, Ian Pace, Henry Stobart and Simon Zagorski‐Thomas, compiled and edited by Esther Cavett (2023)The Uses of Enchantment: The Meaning and Importance of Fairy Tales (1976)The Origins of Totalitarianism (2007)The Origins of Totalitarianism (2018)Handbuch der Musikgeschichte (1930)A Treatise on the Fundamental Principles of Violin Playing (1948)Rhythm and tempo (1953)The nature of professional accompanists and their roles: Performing with musical excellence and enjoying communicative interaction (2009)Building Excellent Workforce through Effective Coaching for Coachees’ Development (2012)Qualitative content analysis – piano accompanists’ and collaborative pianists’ competencies / Kvalitativna analiza vsebine – kompetence umetniških sodelavcev/korepetitorjev (2021)Correlates of linguistic rhythm in the speech signal (1999)Q uantitative Characterizations of Speech Rhythm: Syllable-Timing in Singapore English (2000)Durational variability in speech and the Rhythm Class Hypothesis (2002)The "Rhythmic Fingerprint": An Extension of the nPVI to Quantify Rhythmic Influence (2017)Regional Variation in West and East Coast African-American English Prosody and Rap Flows (2019)Rhythmic variability, language, and style: A replication and extension of nPVI findings with the RISM dataset (2020)Nationalism: Five Roads to Modernity. (1994)Inventing Eastern Europe: the map of civilization on the mind of the Enlightenment (1995)The Protestant Ethic and the Spirit of Capitalism (2002)
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Cited by

  • 1965The Art Of Accompanying And Coaching25 cited
  • 2016Nonlinear Changes in the Rhythm of European Art Music19 cited
  • 1999The Composer as Intellectual: Ideological Inscriptions in French Interwar Neoclassicism17 cited
  • 2001Nations and nationalism16 cited
  • 1984Formulaic Openings in Debussy13 cited
  • 1992Charpentier's Operatic "Roman Musical" as Read in the Wake of the Dreyfus Affair6 cited
  • 1997Ariane et Barbe-Bleue: Dukas, the light and the well5 cited

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