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Cited by

• 1998Ragtime and early jazz17 cited
• 2012Airing Authenticity: The BBC Jam Sessions from New York, 1938/3914 cited
• 2011Tradition, modernity and the supernatural swing: re-reading ‘primitivism’ in Hugues Panassié's writing on jazz14 cited
• 2014Beyond Jamming: A Historical and Analytical Perspective on the Creative Process14 cited
• 1999Mainstreaming Monk: The Ellington Album13 cited
• 2014Freedom of Choice: Jazz, Neoliberalism, and the Lincoln Center7 cited
• 1972Sound Scholarship: Scope, Purpose, Function and Potential of Phonorecord Archives6 cited
• 2015Categories and networks in jazz evolution: The overlap between bandleaders’ jazz sidemen from 1930 to 19695 cited
• 1991That certain feeling: blues and jazz … in 1890?3 cited
• 2014Jazz and Radio in the United States: Mediation, Genre, and Patronage3 cited
• 2017Marketing to the Middlebrow: Reconsidering Ellingtonia, the Legacy of Early Ellington Criticism, and the Idea of a “Serious” Jazz Composer3 cited
• 2011EIGHTY-EIGHT DRUMS: THE PIANO AS PERCUSSION INSTRUMENT IN JAZZ3 cited
• 2011The French connection2 cited
• 2019Jazz Archives in the United States1 cited