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Der Musicalische Quack-salber...
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Der Musicalische Quack-salber... (2011)Der Musicalische Quack-salber...Stop the Press? The Changing Media of Music Criticism (2019)Stop the Press? The Changing …Musical Authorship from Schütz to Bach (2019)Musical Authorship from Schüt…Music Criticism in Norway (2019)Music Criticism in NorwayMusic Criticism in Italy in the Twentieth Century (2019)Music Criticism in Italy in t…Critiquing the Canon: The Role of Criticism in Canon Formation (2019)Critiquing the Canon: The Rol…Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century (2019)Constructing a Musical Nation…Scholars, Friends, Plagiarists: The Musician as Author in the Seventeenth Century (2017)Scholars, Friends, Plagiarist…Music in the market-place (2005)Music in the market-placePublication and the Anxiety of Judgement in German Musical Life of the Seventeenth Century (2004)Publication and the Anxiety o…Bach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1) (1999)Bach, Telemann, and the Proce…D. Martin Luther's Werke : kritische Gesamtausgabe (1963)In Defence of Rhetoric (1989)The Oxford Classical Dictionary (1998)Nicolaus Zangius: hudebník přelomu 16. a 17. století. Na stopě neznámému (2020)Versions of Imitation in the Renaissance (1980)The Uses of Existing Music: Musical Borrowing as a Field (1994)Bach and the patterns of invention (1997)Counterpoint: From the Bees or for the Birds? Telemann and Early Eighteenth-Century Quarrels with Tradition (2011)Music in the Seventeenth Century (1987)The fabrication of Louis XIV (1992)Celestial Sirens (1996)The Cambridge History of Musical Performance (2012)The performer and the composer (2012)Soundings Offstage (2015)The Fold: Leibniz and the Baroque (1988)The search for the perfect language (1996)Music—Drastic or Gnostic? (2004)Music copywriting and the problems of music education: overcoming prohibitions and the use of music in teaching (2022)Image-Music-Text (1977)The Work of Art in the Age of Mechanical Reproduction (2007)Two Treatises of Government (2007)PROTECTED PUBLICATIONS: THE IMPERIAL AND SAXON PRIVILEGES FOR PRINTED MUSIC, 1550–1700 (2018)Distinction. A Social Critique of the Judgement of Taste (1985)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Oxford Dictionary of National Biography (2004)Distinction: A Social Critique of the Judgement of Taste. (1985)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Dibattito critico e polemica politico-ideologica nella musica italiana del Novecento: Fedele d’Amico e Luigi Nono (2022)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)
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  • 2005Music in the market-place46 cited
  • 2019Musical Authorship from Schütz to Bach10 cited
  • 2017Scholars, Friends, Plagiarists: The Musician as Author in the Seventeenth Century9 cited
  • 2004Publication and the Anxiety of Judgement in German Musical Life of the Seventeenth Century7 cited
  • 2019Stop the Press? The Changing Media of Music Criticism5 cited
  • 1999Bach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1)4 cited
  • 2019Critiquing the Canon: The Role of Criticism in Canon Formation4 cited
  • 2019Music Criticism in Norway3 cited
  • 2019Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century3 cited
  • 2019Music Criticism in Italy in the Twentieth Century2 cited

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