SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Australian Hip Hop as a Subculture
8 references·12 citing·40 second hop
Australian Hip Hop as a Subculture (2003)Australian Hip Hop as a SubculturePhat Beats, Dope Rhymes: Hip Hop Down Under Comin' Upper (2003)Phat Beats, Dope Rhymes: Hip …Performing Identity/Performing Culture: Hip Hop as Text, Pedagogy, and Lived Practice (2001)Performing Identity/Performin…Doin’ damage in my native language: The use of “resistance vernaculars” in hip hop in France, Italy, and Aotearoa/New Zealand (2000)Doin’ damage in my native lan…Club cultures: music, media and subcultural capital (1996)Club cultures: music, media a…Subculture: The Meaning of Style (1995)Subculture: The Meaning of St…Hiding in the Light, on Images and Things (1992)Hiding in the Light, on Image…Sample and hold: pop music in the digital age of reproduction (1988)Sample and hold: pop music in…Resistance Through Rituals (1978)Resistance Through RitualsDefining Authenticity in the Mid-2000s Australian Hip-Hop Scene: Constructing and Maintaining ‘Underground’ Status at a Time of Increasing Popularity (2020)Defining Authenticity in the …The Values of Independent Hip-Hop in the Post-Golden Era (2019)The Values of Independent Hip…Forging traditions: continuity and change in the mid 2000s Australian Hip-Hop scene (2019)Forging traditions: continuit…Warrior Spirit: From Invasion to Fusion Music in the Mapuche Territory of Southern Chile (2015)Warrior Spirit: From Invasion…Polynesian Youth Hip Hop: Intersubjectivity and Australia's Multicultural Audience (2014)Polynesian Youth Hip Hop: Int…‘Bricolage’: reclaiming a conceptual tool (2014)‘Bricolage’: reclaiming a con…Contemporary urban culture: how community structures endure in an individualised society (2013)Contemporary urban culture: h…Intermediality, Rewriting Histories, and Identities in French Rap (2011)Intermediality, Rewriting His…‘Making space, pushing time’: A Sudanese hip-hop group and their wardrobe-recording studio (2011)‘Making space, pushing time’:…Musical work in a university town: The shifting spaces and practices of DJs in Dunedin (2009)Musical work in a university …‘You've got to go to gigs to get gigs’: Indie musicians, eclecticism and the Brisbane scene (2008)‘You've got to go to gigs to …From Snuggling and Snogging to Sampling and Scratching (2007)From Snuggling and Snogging t…Postmodernism, or, The cultural logic of late capitalism (1991)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)5. The Practice of Everyday Life (2000)To believe or not to believe, that is not the question: The complexity of Jewish beliefs about God. (2016)Why Marry? The Role of Tradition in Women's Marital Aspirations (2017)Fostering place-based coalitions between social movements and science for sustainable urban environments: A case of embedded agency (2020)Kafka: Toward a Minor Literature (1986)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Global noise - Rap and Hip-Hop outside the USA (2003)The Wordy Worlds of Popular Music in Eastern and Southern Africa: Possible Implications for Language-in-Education Policy (2010)Talkin' 'bout the Ghetto: Popular Culture and Urban Imaginaries of Immobility (2012)Languages of Global Hip Hop (2013)The Hidden Musicians: Music-Making in an English Town (1989)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Producing Pop: Culture and Conflict in the Popular Music Industry (1992)Brand value: how affective labour helps create brands (2013)North from here: the collaboration networks of Finnish metal music genre superstars (2017)The working life of musicians: mapping the work activities and values of early-career pop musicians in the Dutch music industry (2021)The consequences of modernity (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)The Forms of Capital (2002)Consumer Culture Theory (CCT): Twenty Years of Research (2005)Where Consumers Diverge from Others: Identity Signaling and Product Domains (2007)Distinction: A Social Critique of the Judgement of Taste* (2018)Classification in Art (1987)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Understanding Popular Culture (2006)Beyond ‘women and transport’: towards new geographies of gender and daily mobility (1999)Perceptions of race (2003)Critical pedagogy and predatory culture (1994)Bourdieu, Technique And Technology (2003)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Critical Ethnography in Education: Origins, Current Status, and New Directions (1989)Subaltern Struggles and the Politics of Place: Remapping Resistance in Zimbabwe's Eastern Highlands (1998)Defining an agenda for the geography of children: review and prospect (1999)Technomad: Global Raving Countercultures (2009)Global Ill-Literacies (2011)Translocal style communities (2015)Doing Research in Cultural Studies (2003)Culturally Responsive School Leadership (2016)
this work references cited by second hop

References

  • 1995Subculture: The Meaning of Style3,813 cited
  • 1996Club cultures: music, media and subcultural capital1,941 cited
  • 1978Resistance Through Rituals897 cited
  • 1992Hiding in the Light, on Images and Things532 cited
  • 2001Performing Identity/Performing Culture: Hip Hop as Text, Pedagogy, and Lived Practice324 cited
  • 1988Sample and hold: pop music in the digital age of reproduction152 cited
  • 2003Phat Beats, Dope Rhymes: Hip Hop Down Under Comin' Upper116 cited
  • 2000Doin’ damage in my native language: The use of “resistance vernaculars” in hip hop in France, Italy, and Aotearoa/New Zealand96 cited

Cited by

  • 2014‘Bricolage’: reclaiming a conceptual tool62 cited
  • 2008‘You've got to go to gigs to get gigs’: Indie musicians, eclecticism and the Brisbane scene40 cited
  • 2007From Snuggling and Snogging to Sampling and Scratching24 cited
  • 2015Warrior Spirit: From Invasion to Fusion Music in the Mapuche Territory of Southern Chile20 cited
  • 2019The Values of Independent Hip-Hop in the Post-Golden Era16 cited
  • 2011‘Making space, pushing time’: A Sudanese hip-hop group and their wardrobe-recording studio15 cited
  • 2009Musical work in a university town: The shifting spaces and practices of DJs in Dunedin

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

11 cited
  • 2013Contemporary urban culture: how community structures endure in an individualised society10 cited
  • 2014Polynesian Youth Hip Hop: Intersubjectivity and Australia's Multicultural Audience9 cited
  • 2019Forging traditions: continuity and change in the mid 2000s Australian Hip-Hop scene9 cited
  • 2020Defining Authenticity in the Mid-2000s Australian Hip-Hop Scene: Constructing and Maintaining ‘Underground’ Status at a Time of Increasing Popularity7 cited
  • 2011Intermediality, Rewriting Histories, and Identities in French Rap6 cited