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This article focuses on recent artistic practice in relation to the notion of media ecology, and the relations between natural ecology and media. What this article addresses is the project of media ecology as a practice of theory and the topological continuity from nature to media. Through practical probings, the project exposes a different take on media that renegotiates the cultural underpinnings of media theory and expands it towards regimes of perception, motility and circulation of non-human speeds and spatialities. In other words, I want to expand on the notion of medium through taking into account such ecological underpinnings that can be seen as prisms through which to understand non-human energies
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