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“To Be Polished More than Extended”: Musicianship, Masculinity, and the Critical Reception of Southern Rock
16 references·0 citing·29 second hop
“To Be Polished More than Extended”: Musicianship, Masculinity, and the Critical Reception of Southern Rock (2014)“To Be Polished More than Extended”: Musi…Configuring the sound-box 1965–1972 (2010)Configuring the sound-box 196…Southern Masculinity: Perspectives on Manhood in the South since Reconstruction (2009)Southern Masculinity: Perspec…The Establishment of the Virtual Performance Space in Rock (2008)The Establishment of the Virt…Liveness: performance in a mediatized culture (2008)Liveness: performance in a me…Capturing sound: how technology has changed music (2005)Capturing sound: how technolo…‘Some guy designed this room I’m standing in': marking gender in press coverage of Ani DiFranco (2005)‘Some guy designed this room …Escaping the Delta: Robert Johnson and the Invention of the Blues (2004)Escaping the Delta: Robert Jo…“Why Do Whites Sing Black?”: The Blues, Whiteness, and Early Histories of Rock (2003)“Why Do Whites Sing Black?”: …The Poetics of RockCutting Tracks, Making Records (2001)The Poetics of RockCutting Tr…‘*1/2’ a critique of rock criticism in North America (2001)‘*1/2’ a critique of rock cri…Sexing the Groove: Popular Music and Gender (1998)Sexing the Groove: Popular Mu…Haunted Bodies: Gender and Southern Texts (1998)Haunted Bodies: Gender and So…Club Cultures: Music, Media and Subcultural Capital (1997)Club Cultures: Music, Media a…Music, Talent, and Performance: A Conservatory Cultural System (1988)Music, Talent, and Performanc…Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)Sound Effects: Youth, Leisure…The Sound of the City: The Rise of Rock and Roll (1972)The Sound of the City: The Ri…The Write to Rock: Racial Mythologies, Feminist Theory, and the Pleasures of Rock Music Criticism (2008)“This voice which is not one”: Amy Winehouse sings the ballad of sonic blue(s)face culture (2010)Empire of Dirt: The Aesthetics and Rituals of British Indie Music (2013)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)The Mediatization of Society (2008)Taken Out of Context: American Teen Sociality in Networked Publics (2017)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Soundscapes: Toward a Sounded Anthropology (2010)When materiality ‘bites back’: Digital music consumption practices in the age of dematerialization (2011)A typology of ‘hooks’ in popular records (1987)Rappin' on the Tyne: White Hip Hop Culture in Northeast England – An Ethnographic Study (1999)Pragmatics of Taste (2007)Music Mediated as Live in Austin: sound, technology, and recording practice (2002)Composing, songwriting, and producing: Informing popular music pedagogy (2013)Club cultures: music, media and subcultural capital (1996)Music and Adolescent Identity (1999)The importance of music to adolescents (2000)"Go there tuh know there": Zora Neale Hurston and the Chronotope of the Folk (2001)"You Nothing But Trash": White Trash Shame in Dorothy Allison's Bastard Out of Carolina (2001)Out of the House of Bondage (2003)Rethinking Giftedness and Gifted Education (2011)Isolation in studio music teaching: The secret garden (2017)Class, Control, and Classical Music (2019)Intergenerational Geographies: Age Relations, Segregation and Re‐engagements (2007)Sluts and Riot Grrrls: Female Identity and Sexual Agency (2007)Towards a critical understanding of music, emotion and self‐identity (2008)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Signals in Social Supernets (2007)The commons: Infrastructures for troubling times* (2016)
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References

  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 1997Club Cultures: Music, Media and Subcultural Capital1,504 cited
  • 2005Capturing sound: how technology has changed music830 cited
  • 1982Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll.674 cited
  • 1998Sexing the Groove: Popular Music and Gender478 cited
  • 2004Escaping the Delta: Robert Johnson and the Invention of the Blues165 cited
  • 2001The Poetics of RockCutting Tracks, Making Records146 cited
  • 1972The Sound of the City: The Rise of Rock and Roll139 cited
  • 1988Music, Talent, and Performance: A Conservatory Cultural System113 cited
  • 1998Haunted Bodies: Gender and Southern Texts112 cited
  • 2001‘*1/2’ a critique of rock criticism in North America54 cited
  • 2005‘Some guy designed this room I’m standing in': marking gender in press coverage of Ani DiFranco49 cited
  • 2010Configuring the sound-box 1965–197244 cited
  • 2009Southern Masculinity: Perspectives on Manhood in the South since Reconstruction42 cited
  • 2003“Why Do Whites Sing Black?”: The Blues, Whiteness, and Early Histories of Rock39 cited

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2008
The Establishment of the Virtual Performance Space in Rock
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