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Cited by

• 2010Duration of Performances and Lengths of Plays: How Shall We Beguile the Lazy Time?41 cited
• 2015“More legs than nature gave thee”: Performing the Cripple in The Fair Maid of the Exchange34 cited
• 2013“What Citadels, what turrets, and what towers”: Mapping the Tower of London in Thomas Heywood’s Lord Mayors’ Shows23 cited
• 2017(Re)constructed Spaces for Early Modern Drama: Research in Practice19 cited
• 2017Original Gesture: Hand Eloquence on the Early Modern Stage14 cited
• 2011Henry VIII, Shakespeare, and the Jacobean Royal Court13 cited
• 2016Sung Silence: Complicity, Dramaturgy, and Song in Heywood’s Rape of Lucrece12 cited
• 2015The Ongoing Exploration of Women and Performance in Early Modern England: Evidences, Issues, and Questions12 cited
• 2015John Rice and the Boys of the Jacobean King's Men8 cited
• 2014"The Stage is Hung with Blacke": On the Use of Black curtains for Tragedies in the Early Modern Period4 cited
• 2014Surpassing the King’s Two Bodies: The Politics Of Staging the Royal Effigy in Marlowe’s Edward II3 cited
• 2019Why was The Knight of the Burning Pestle Revived?3 cited
• 2013The Malcontent and the Hamlet Aftermath3 cited
• 2013“What’s this? Mutton?”: Food, Bodies, and Inn-Yard Performance Spaces in Early Shakespearean Drama