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The history of photography from 1839 to the present day
0 references·16 citing·50 second hop
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  • 1991Representing Discourse: The Rhetoric of Transcription280 cited
  • 2005The Cinderella of Psychology: The Neglect of Motor Control in the Science of Mental Life and Behavior.231 cited
  • 2008SNAPSHOTS87 cited
  • 1986Photographs as Materials for African History: Some Methodological Considerations48 cited
  • 2008Power Made Visible: Photography and Postwar Japan's Elusive Reality47 cited
  • 1998The Indian Woman, the Flower Girl, and the Jew: Photojournalism in Edwardian London40 cited
  • 1995Photo-unrealism: The Contribution of the Camera to the Crisis of Ocularcentrism36 cited
  • 2010A Historical Approach to Family Photography: Class and Individuality in Manchester and Lille, 1850-191435 cited
  • 1990Historical photographs as anthropological documents: A retrospect33 cited
  • 1992Histories of Photography 1839–193930 cited
  • 2017Universal Principles of Depicting Oneself across the Centuries: From Renaissance Self-Portraits to Selfie-Photographs29 cited
  • 2011The formation of chlorine-induced alterations in daguerreotype image particles: a high resolution SEM-EDS study26 cited
  • 2010Shooting Disabled Soldiers: Medicine and Photography in World War I America26 cited
  • 2008Cosmopolitan Visions: Ethnic Chinese and the Photographic Imagining of Indonesia in the Late Colonial and Early Postcolonial Periods

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25 cited
  • 1999Organizational fields, cultural fields and art worlds: the early effort to make photographs and make photographers in the 19th-century United States of America24 cited
  • 2002Cinema and the Kingdom of Death: Loncraine's Richard III19 cited