No open-access location is known for this record yet.
No open-access location is known for this record yet.
La obra de Gaudi integra todos los aspectos del proyecto de arquitectura. En el presente articulo se estudia el analisis y proyecto de arcos y bovedas de fabrica. Es bien conocido que Gaudi empleo modelos colgantes y tambien metodos de estatica grafica. Estos metodos no son originales y se remontan a finales del siglo XVII. Tampoco es original el empleo en el proyecto de formas equilibradas (catenarias). Lo que es completamente original y supuso en «giro copernicano» es plantear todo el proyecto, desde el comienzo, buscando formas equilibradas. Por otra parte, Gaudi emplea bovedas de formas inusuales, compuestas de superficies regladas, mostrando una gran intuicion estructural. Finalmente, en la Sagrada Familia busca esqueletos arboreos de equilibrio. En el presente articulo se estudian en detalle el origen y naturaleza de los metodos de equilibrio de Gaudi, resaltando su validez basada, en ultima instancia, en los Teoremas Fundamentales del Analisis Limite. Abstract The work of Gaudi embraces all the facets of architectural design. The present paper studies the analysis and design of masonry arches and vaults. It is well known that Gaudi used hanging models and graphics methods as design tools. These methods can be traced back to the end of the XVIIth century. Also, it was not original the use of equilibrated, catenarian, forms. What was completely original was the idea of basing all the structural design in considerations of equilibrium. Gaudi, also, employed unusual geometrical forms for some of his vaults, ruled surfaces, showing a deep structural insight. Finally, he designed tree-forms of equilibrium for the supports of the vaults in the Sagrada Familia. In the present paper Gaudi's equilibrium methods are studied with some detail, stressing their validity within the frame of Limit Analysis.
Loading…
Imported from OpenAlex (CC0) — nothing here is generated.