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The Roles of Invariance and Analogy in the Linear Design of Stravinsky’s “Musick to heare”
7 references·0 citing·20 second hop
The Roles of Invariance and Analogy in the Linear Design of Stravinsky’s “Musick to heare” (2008)The Roles of Invariance and Analogy in th…Stravinsky's Second Crisis: Reading the Early Serial Sketches (1999)Stravinsky's Second Crisis: R…The Rhythms of Reiteration: Formal Development in Stravinsky's Ostinati (1992)The Rhythms of Reiteration: F…Schoenberg's Serial Odyssey: The Evolution of His Twelve-Tone Method, 1914-1928 (1991)Schoenberg's Serial Odyssey: …The music of Stravinsky (1988)The music of StravinskyThe Music of Igor Stravinsky (1983)The Music of Igor StravinskyA Principle of Voice Leading in the Music of Stravinsky (1982)A Principle of Voice Leading …Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg and Webern (1962)Serial Composition and Atonal…Stravinsky and the Russian Traditions: A Biography of the Works through Mavra (1999)Some Extensions of the Concepts of Metrical Consonance and Dissonance (1987)Stravinsky's "Les Noces" and Russian Village Wedding Ritual (1990)The Rake's Progress and Stravinsky's Return: The Composer's Evolving Approach to Setting Text (2010)Stravinsky and the Russian period: sound and legacy of a musical idiom (2013)Rhythmic Functions in Pop-Rock Music (2018)Three Essays on Milton Babbitt (1990)Art music from 1800 to 1860 (1998)Zipf's law and the creation of musical context (2006)"Ist Alles Eins": Schoenberg and Symmetry (2004)Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea (2014)Schoenberg's Atonal Music: Musical Idea, Basic Image, and Specters of Tonal Function (2019)Jamming at Le Boeuf: Jazz and the Paris Avant-Garde (1990)Does Music Theory Need Musicology? (1992)Rethinking Form: Stravinsky's Eleventh-Hour Revision of the Third Movement of His Violin Concerto (1999)Stravinsky and the Octatonic: A Reconsideration (2002)Pathway, Blockage, and Containment in Density 21.5 (2016)Stravinsky's "Mass" and Stravinsky Analysis (1989)Musical Time and Continuity as a Reflection of the Historical Situation of Modern Composers (1991)Cross-Partitions as Harmony and Voice Leading in Twelve-Tone Music (2001)
this work references cited by second hop

References

  • 1983The Music of Igor Stravinsky82 cited
  • 1962Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg and Webern80 cited
  • 1991Schoenberg's Serial Odyssey: The Evolution of His Twelve-Tone Method, 1914-192867 cited
  • 1992The Rhythms of Reiteration: Formal Development in Stravinsky's Ostinati42 cited
  • 1982A Principle of Voice Leading in the Music of Stravinsky41 cited
  • 1999Stravinsky's Second Crisis: Reading the Early Serial Sketches39 cited
  • 1988The music of Stravinsky33 cited

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