SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Origin and Well-Formedness of Tonal Pitch Structures
16 references·1 citing·30 second hop
The Origin and Well-Formedness of Tonal Pitch Structures (2006)The Origin and Well-Formedness of Tonal P…The singing Neanderthals: The origins of music, language, mind, and body (2006)The singing Neanderthals: The…Grove Music Online (2006)Grove Music OnlineThe topos of music: geometric logic of concepts, theory, and performance (2003)The topos of music: geometric…Towards a mathematical model of tonality (2000)Towards a mathematical model …Ideen zu einer ‘Lehre von den Tonvorstellungen’ (1999)Ideen zu einer ‘Lehre von den…Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Introduction to Neo-Riemannia…Traité de l'harmonie : réduite à ses principes naturels (1992)Traité de l'harmonie : réduit…Aspects of Well-Formed Scales (1989)Aspects of Well-Formed ScalesA History of Consonance and Dissonance (1989)A History of Consonance and D…Variety and Multiplicity in Diatonic Systems (1985)Variety and Multiplicity in D…The Group-Theoretic Description of 12-Fold and Microtonal Pitch Systems (1980)The Group-Theoretic Descripti…Style as Information (1958)Style as InformationMusic in Primitive Culture (1957)Music in Primitive CultureStructural Hearing; Tonal Coherence in Music (1953)Structural Hearing; Tonal Coh…Tuning and Temperament; A Historical Survey (1952)Tuning and Temperament; A His…The Oxford companion to music (1943)The Oxford companion to musicThe Minkowski Geometry of Numbers Applied to the Theory of Tone Systems (2013)The Minkowski Geometry of Num…Generalized Musical Intervals and Transformations (1988)Self-Similar Pitch Structures, Their Duals, and Rhythmic Analogues (1996)Scales, Sets, and Interval Cycles: A Taxonomy (1999)Music theory and mathematics (2002)The Presentation of Self in Everyday Life. (1956)The feeling of what happens: body and emotion in the making of consciousness (2000)Formulaic Language and the Lexicon (2002)The biology and evolution of music: A comparative perspective (2006)Newborns' Cry Melody Is Shaped by Their Native Language (2009)‘As if a little bird is sitting on your finger...’: metaphor as a key instrument in training professional musicians (2006)Crossmodal correspondences between sounds and tastes (2012)Music as Collective Invention: A Social Network Analysis of Composers (2014)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)Uniform Triadic Transformations (2002)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)The Functional Extravagance of Chromatic Chords (1986)Music as Discourse (2008)Perceptual-cognitive universals as reflections of the world (1994)Perceptual-cognitive universals as reflections of the world (2001)The Evolution of Language (2010)Classical Music as Popular Music (1984)Emergence and realization of genius: The lives and works of 120 classical composers. (1991)How the dithyramb got its shape (1997)Scale Networks and Debussy (2004)The distance geometry of music (2008)Vocal performance in the seventeenth century (2012)The Cambridge History of Sixteenth-Century Music (2019)Diagrams, gestures and formulae in music (2007)Musical intervals and special linear transformations (2007)S cale T heory , S erial T heory and V oice L eading (2008)
this work references cited by second hop

References

  • 2006The singing Neanderthals: The origins of music, language, mind, and body887 cited
  • 1998Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective305 cited
  • 2006Grove Music Online254 cited
  • 1953Structural Hearing; Tonal Coherence in Music246 cited
  • 1980The Group-Theoretic Description of 12-Fold and Microtonal Pitch Systems195 cited
  • 1989Aspects of Well-Formed Scales170 cited
  • 1985Variety and Multiplicity in Diatonic Systems166 cited
  • 1943The Oxford companion to music161 cited
  • 1952Tuning and Temperament; A Historical Survey154 cited
  • 2003The topos of music: geometric logic of concepts, theory, and performance152 cited
  • 2000Towards a mathematical model of tonality126 cited
  • 1958Style as Information125 cited
  • 1989A History of Consonance and Dissonance122 cited
  • 1957Music in Primitive Culture107 cited
  • 1999Ideen zu einer ‘Lehre von den Tonvorstellungen’100 cited
  • 1992Traité de l'harmonie : réduite à ses principes naturels89 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Cited by

  • 2013The Minkowski Geometry of Numbers Applied to the Theory of Tone Systems6 cited