SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Physical and Chemical Examination of Paints, Varnishes, Lacquers and Colors
0 references·4 citing·19 second hop
Physical and Chemical Examination of Paints, Varnishes, Lacquers and Colors (1931)Physical and Chemical Examination of Pain…How do you say “Bocour” in French? The work of Carmen Herrera and acrylic paints in post-war Europe (2018)How do you say “Bocour” in Fr…Synergistic use of Py–THM–GCMS, DTMS, and ESI–MS for the characterization of the organic fraction of modern enamel paints (2015)Synergistic use of Py–THM–GCM…Use of Ultraviolet Light as an Aid to Pigment Identification (1991)Use of Ultraviolet Light as a…Dammar and Mastic Varnishes: Hardness, Brittleness, and Change in Weight upon Drying (1958)Dammar and Mastic Varnishes: …Some Picture Varnishes (1957)Technical Studies in the Field of the Fine Arts (1977)In-depth structural and compositional assessment of aged terpenoid varnish layers by nonlinear optical microscopy (2023)The Artist's Handbook of Materials and Techniques (1940)The Organic Chemistry of Museum Objects (1988)Mass spectrometric methodology for the analysis of highly oxidized diterpenoid acids in Old Master paintings (2000)Factors Affecting the Reactivity of Zinc Oxide with Different Drying Oils: A Vibrational Spectroscopy Study (2019)Rohm and Haas: History of a Chemical Company (1988)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Nondestructive Testing of Historic Structures (1999)Painting Materials: A Short Encyclopedia (2011)Synchrotron Deep-UV Photoluminescence Imaging for the Submicrometer Analysis of Chemically Altered Zinc White Oil Paints (2019)Discovery of Vespasiano Bignami paintings at the National Theatre of Costa Rica through technical photography and UV–Vis spectroscopy (2020)The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films (1966)Analysis of modern paints (2004)Organic Mass Spectrometry in Art and Archaeology (2009)Detecting the NIR Fingerprint of Colors: The Characteristic Response of Modern Blue Pigments (2019)In search of Humboldt’s colors: materials and techniques of a 17th-century lacquered gourd from Colombia (2020)Comprehensive characterization of modern industrial Argentinian paints for improved chronological painting attribution (2024)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2015Synergistic use of Py–THM–GCMS, DTMS, and ESI–MS for the characterization of the organic fraction of modern enamel paints21 cited
  • 1991Use of Ultraviolet Light as an Aid to Pigment Identification21 cited
  • 2018How do you say “Bocour” in French? The work of Carmen Herrera and acrylic paints in post-war Europe14 cited
  • 1958Dammar and Mastic Varnishes: Hardness, Brittleness, and Change in Weight upon Drying11 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work