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Cited by

• 1998American theatre in context, from the beginnings to 187038 cited
• 1998Plays and playwrights: to 180019 cited
• 1997Beyond Poststructuralism: Theory of Character, the Personae of Modem Drama, and the Antinomies of Critical Theory18 cited
• 1999Inventing a Fishbowl: White Supremacy and the Critical Reception of Lorraine Hansberry's A Raisin in the Sun14 cited
• 1998Paratheatricals and popular stage entertainment11 cited
• 1998Structure and management in the American theatre from the beginning to 18709 cited
• 1998European actors and the star system in the American theatre, 1752–18707 cited
• 1998Plays and playwrights: 1800–18656 cited
• 2016Tuning the Black Voice: Colour-Deafness and the American Negro Theatre’s Radio Dramas4 cited
• 1998The emergence of the American actor4 cited
• 2000Politics and aesthetics, race and gender: Georgia Douglas Johnson's lynching dramas as black feminist cultural performance4 cited
• 2007Playwrights and Plays of the Harlem Renaissance3 cited
• 1998Introduction3 cited
• 1998Scenography, stagecraft, and architecture in the American theatre: beginnings to 18702 cited