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Cited by

• 2023In Visible Presence35 cited
• 2014Appropriating Iconicity: Why Tank Man Still Matters21 cited
• 2019Locating Photography20 cited
• 2014On ambivalent nativism: Hegemony, photography, and “recalcitrant alterity” in Sphakia, Crete19 cited
• 2016Seeing Cellular Debris, Remembering a Soviet Method17 cited
• 2014The Image after Strathern: Art and Persuasive Relationality in India’s Sanguinary Politics11 cited
• 2022Photographing Central Asia5 cited
• 2022Visual evidence? Rethinking anthropological photography in republican China (1912–1949)3 cited
• 2008Urbanisation: Discourse class gender in mid-Victorian photographs of maids – reading the archive of Arthur J. Munby13 cited
• 2019More than Corpses, Less than Ghosts: A Visual Theory of Culture in Early Ethnographic Photography3 cited
• 2017From Context to Text:African Artsand Photography, 1967–20171 cited
• 2022Memories from Spain. The Finnish painter Albert Edelfelt’s (1854 – 1905) travel pictures as souvenirs1 cited
• 20221 Introduction: “On the margins of the marginal” – Why are there so few specialists in Central Asian photography of the imperial and early Soviet period?1 cited
• 2023Photography and diaspora