SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
An actor's work: a student's diary
0 references·16 citing·45 second hop
An actor's work: a student's diary (2008)An actor's work: a student's diaryExpert Ignorance (2023)Expert IgnoranceUsing motor imagery practice for improving motor performance – A review (2021)Using motor imagery practice …Molecular Identities (2019)Molecular IdentitiesReal Theatre : Essays in Experience (2018)Real Theatre : Essays in Expe…Shakespeare Performance Studies (2017)Shakespeare Performance Studi…Finding the "prism": Understanding Vygotsky's perezhivanie as an ontogenetic unit of child consciousness (2016)Finding the "prism": Understa…Continuous body emotion recognition system during theater performances (2016)Continuous body emotion recog…Bringing Authoritative Models to Computational Drama (Encoding Knebel’s Action Analysis) (2016)Bringing Authoritative Models…Proto-cybernetics in the Stanislavski System of acting (2015)Proto-cybernetics in the Stan…Of Hybrids and the Posthuman: Performer Training in the 21st Century (2015)Of Hybrids and the Posthuman:…An actor manages: actor training and managerial ideology (2014)An actor manages: actor train…’Tis Pity She’s a Realist: A Conversational Case Study in Realism and Early Modern Theater Today (2013)’Tis Pity She’s a Realist: A …For Hecuba or for Hamlet: Rethinking Emotion and Empathy in the Theatre (2011)For Hecuba or for Hamlet: Ret…Of Pounds of Flesh and Trojan Horses: Performer training in the twenty-first century (2009)Of Pounds of Flesh and Trojan…Cognitive Neuroscience and Acting: Imagination, Conceptual Blending, and Empathy (2009)Cognitive Neuroscience and Ac…Rage Slaves: The Commodification of Affect in the Five Lesbian Brothers’ The Secretaries (2008)Rage Slaves: The Commodificat…Radical thought in Italy : a potential politics (1996)Postphenomenology and Technoscience: The Peking University Lectures (2009)Towards a Poor Theatre (2012)Of assemblages, affordances, and actants – or the performer as bodyworld: the case of puppet and material performance (2020)Internet theatre and the historical consciousness of the Covid-19 era (2021)Lenin and Philosophy and Other Essays (1971)Critical terms for literary study (1989)An Actor's Work (2008)Rethinking actor training: training body, mind and … ideological awareness (2013)On habit and performer training (2018)The feeling of what happens: body and emotion in the making of consciousness (2000)Empathy: Its ultimate and proximate bases (2002)The way we think: conceptual blending and the mind's hidden complexities (2002)How do performances fuse societies? (2019)Minds on Stage (2023)Visual Pleasure and Narrative Cinema (1975)Renaissance Self-Fashioning from More to Shakespeare (1982)The selected Melanie Klein (1986)A circumplex model of affect. (1980)The Cognitive Structure of Emotions (1988)Core affect and the psychological construction of emotion. (2003)Understanding Vygotsky. A quest for synthesis (1991)The place of appraisal in emotion (1993)Motivation and Personality (1997)The lived experience of thesis writers in group writing conferences: The quest for “perfect” and “critical” (2018)Does mental practice enhance performance? (1994)Neural Simulation of Action: A Unifying Mechanism for Motor Cognition (2001)Neural correlates of action: Comparing meta-analyses of imagery, observation, and execution (2018)Enhancing motor imagery practice using synchronous action observation (2022)Imagining the way forward: A review of contemporary motor imagery theory (2022)Learning motor actions via imagery—perceptual or motor learning? (2023)Studies in Ethnomethodology. (1968)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)The Presentation of Self in Everyday Life (2023)The Organization of Ignorance: The Australian ‘Robodebt’ Affair, Bureaucracy, Law and Politics (2024)The body in pain (1985)Empathic neural responses are modulated by the perceived fairness of others (2006)Putting the Altruism Back into Altruism: The Evolution of Empathy (2007)The Paradox of Narrative Empathy and the Form of the Novel, or What George Eliot Knew (2016)How To Do Things With Words (1975)Life on the Screen: Identity in the Age of the Internet (1997)Metaphors We Live By (2003)"A whole theater of others": Amateur Acting and Immersive Spectatorship in the Digital Shakespeare Game Play the Knave (2016)Shakespeare / Not Shakespeare: Afterword (2017)Social Media as Theatre Stage: Aesthetics, Affordances and Interactivities (2017)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2021Using motor imagery practice for improving motor performance – A review159 cited
  • 2016Continuous body emotion recognition system during theater performances51 cited
  • 2009Cognitive Neuroscience and Acting: Imagination, Conceptual Blending, and Empathy45 cited
  • 2016Finding the "prism": Understanding Vygotsky's perezhivanie as an ontogenetic unit of child consciousness34 cited
  • 2011For Hecuba or for Hamlet: Rethinking Emotion and Empathy in the Theatre23 cited
  • 2009Of Pounds of Flesh and Trojan Horses: Performer training in the twenty-first century21 cited
  • 2017Shakespeare Performance Studies20 cited
  • 2023Expert Ignorance17 cited
  • 2013’Tis Pity She’s a Realist: A Conversational Case Study in Realism and Early Modern Theater Today16 cited
  • 2015Of Hybrids and the Posthuman: Performer Training in the 21st Century11 cited
  • 2019Molecular Identities10 cited
  • 2014An actor manages: actor training and managerial ideology8 cited
  • 2015Proto-cybernetics in the Stanislavski System of acting8 cited
  • 2016Bringing Authoritative Models to Computational Drama (Encoding Knebel’s Action Analysis)7 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2008
Rage Slaves: The Commodification of Affect in the Five Lesbian Brothers’ The Secretaries
6 cited
  • 2018Real Theatre : Essays in Experience6 cited