Interpreting Mozart: The Performance of His Piano Pieces and Other Compositions

Eva Badura-Skoda · Paul Badura-Skoda

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Musicology and Musical Analysis Diverse Music Education Insights Literature, Musicology, and Cultural Analysis

Abstract

Introduction 1. Mozart's World of Sound 2. Dynamics 3. Problems of Tempo and Rhythm 4. Articulation 5. Ornaments 6. Improvised Embellishments 7. Cadenzas and Lead-Ins 8. Expression und Gusto 9. In Search of the Best Text 10. Playing with Orchestra 11. Some Technical Questions 12. Remarks on the Interpretation of Selected Piano Works Appendix 1: Reports about the proper Tempo of Pamina's Aria Ach, ich fuhl's... Appendix 2: An Example of Basso Continuo playing in the Concerto K 414

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2015Mozart ‘stuck in music’ in Paris (1778): towards a new biographical paradigm 2024Music, Encounter, Togetherness 2018Mozart and Freemasonry 2018Mozart’s Influence on Nineteenth-Century Composers 2012The Impact of the Development of the Fortepiano on the Repertoire Composed for It From 1760–1860 2018Italy 2018Mythmaking

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