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4 LEAD-TIN YELLOW
0 references·16 citing·53 second hopsampled
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  • 2011Synthesizing lead antimonate in ancient and modern opaque glass76 cited
  • 2018Tin-based opacifiers in archaeological glass and ceramic glazes: a review and new perspectives70 cited
  • 2005The influence of lead ions on the drying of oils64 cited
  • 2013The palaeo-Christian glass mosaic of St. Prosdocimus (Padova, Italy): archaeometric characterisation of tesserae with copper- or tin-based opacifiers60 cited
  • 2020Initial stages of metal soaps` formation in model paints: The role of humidity54 cited
  • 2004The Nasrid plasterwork at “qubba Dar al-Manjara l-kubra” in Granada: characterisation of materials and techniques54 cited
  • 2003The Production of Lead–Tin Yellow at Merovingian Schleitheim (Switzerland)*49 cited
  • 2012Rethinking the History of Artists' Pigments Through Chemical Analysis48 cited
  • 2018Materials and techniques of Islamic manuscripts47 cited
  • 2008ROMANO‐EGYPTIAN RED LEAD PIGMENT: A SUBSIDIARY COMMODITY OF SPANISH SILVER MINING AND REFINEMENT*41 cited
  • 2016Unusual pigments found in a painting by Giotto (c. 1266-1337) reveal diversity of materials used by medieval artists39 cited
  • 2014The investigation of ancient metal artefacts by portable X-ray fluorescence devices38 cited
  • 2019Painting the Palace of Apries II: ancient pigments of the reliefs from the Palace of Apries, Lower Egypt

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37 cited
  • 1994Examples of analysis of pigments from fine art objects by Raman microscopy37 cited
  • 1997Identification of pigments in a fourteenth-century miniature by combined micro-Raman and PIXE spectroscopic techniques36 cited
  • 1999X-ray fluorescence analysis of yellow pigments in altarpieces by Valencian artists of the XV and XVI centuries35 cited