SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Music, Philosophy, and Modernity
0 references·16 citing·42 second hop
Music, Philosophy, and Modernity (2007)Music, Philosophy, and ModernityHeiner Goebbels and Curatorial Composing after Cage (2022)Heiner Goebbels and Curatoria…Herder’s Alternative Path to Musical Transcendence (2021)Herder’s Alternative Path to …Wireless Imaginations (2020)Wireless ImaginationsAdorno and Jazz (2020)Adorno and JazzRomanticism and the Re-Invention of Modern Religion (2019)Romanticism and the Re-Invent…MUSICALISING HISTORY (2019)MUSICALISING HISTORYNotes toward The Philosophy of Theatre (2018)Notes toward The Philosophy o…Notes on Adorno’s ‘Musical Material’ During the New Materialisms (2018)Notes on Adorno’s ‘Musical Ma…From men to machines and back: Automata and the reception of virtuosity in European instrumental art music, c.1815-c.1850 (2016)From men to machines and back…Jazz and the critical potential of heteronomous expressive form (2015)Jazz and the critical potenti…Performance Philosophy — Staging a New Field (2014)Performance Philosophy — Stag…Music and Ethical Responsibility (2014)Music and Ethical Responsibil…'Never out of Date and Never Modern': Aesthetic Democracy, Radical Music Criticism, and 'The Sackbut' (2014)'Never out of Date and Never …Disquieting Conversations: Bach, Modernity, and God (2013)Disquieting Conversations: Ba…An exploration of musical communication through expressive use of timbre: The performer’s perspective (2011)An exploration of musical com…Bach's Dialogue with Modernity: Perspectives on the Passions (2010)Bach's Dialogue with Modernit…Qualitative research and evaluation methods (1980)Real World Research: A Resource for Social Scientists and Practitioner-Researchers (1993)Introducing Qualitative Research in Psychology (2001)Teaching and Learning of Piano Timbre Through Teacher–Student Interactions in Lessons (2021)Rethinking ethnography: Towards a critical cultural politics (1991)Difference and repetition (1994)Neuropolitics: Thinking, Culture, Speed (2002)Thinking Without Authority: Performance Philosophy as the Democracy of Thought (2015)Learning to be affected: Matters of pedagogy in the artists’ soup kitchen (2016)Philosophical Investigations. (1954)Personal Knowledge: Towards a Post-Critical Philosophy (1959)Metaphors We Live By (2003)THE ROLE OF THEORY IN AESTHETICS (1956)Languages of Art (1976)Languages of Art: An Approach to a Theory of Symbols. (1979)Choreography Invisible (2020)Nomadic subjects: embodiment and sexual difference in contemporary feminist theory (1995)Volatile bodies: toward a corporeal feminism (1995)Vibrant Matter: A Political Ecology of Things (2010)INTRODUCTIONMusical Materialisms (Plural) (2020)Of Sound and Flavour – Revisiting the Notion of Material for the Cultural Sociological Analysis of Art Domains (2020)The World as Will and Representation (1960)Philosophical Arguments (1996)Metaphor and Musical Thought (2004)Kantian Dignity and its Difficulties (2024)Orality and Literacy (1982)The Black Atlantic: Modernity and Double Consciousness (1994)Reassembling the Social (2005)The Condition of Postmodernity (1991)The Protestant Ethic and the Spirit of Capitalism (2005)A Secular Age (2007)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Phenomenology of Perception (1982)Postmodernism, or, The cultural logic of late capitalism (1991)Just Vibrations (2016)Artistic Creation and Ethical Criticism (2020)Music, Encounter, Togetherness (2024)The Dialogic Imagination: Four Essays (1982)Musically Consonant, Socially Dissonant: Orange Walks and Catholic Interpretation in West-Central Scotland (2015)Musical Authorship from Schütz to Bach (2019)Dialectic of Enlightenment (2020)Ecologies of Resonance in Christian Musicking (2020)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2014Music and Ethical Responsibility120 cited
  • 2010Bach's Dialogue with Modernity: Perspectives on the Passions46 cited
  • 2019Romanticism and the Re-Invention of Modern Religion40 cited
  • 2011An exploration of musical communication through expressive use of timbre: The performer’s perspective30 cited
  • 2014Performance Philosophy — Staging a New Field29 cited
  • 2020Wireless Imaginations26 cited
  • 2021Herder’s Alternative Path to Musical Transcendence21 cited
  • 2018Notes toward The Philosophy of Theatre21 cited
  • 2018Notes on Adorno’s ‘Musical Material’ During the New Materialisms20 cited
  • 2013Disquieting Conversations: Bach, Modernity, and God17 cited
  • 2019MUSICALISING HISTORY16 cited
  • 2014'Never out of Date and Never Modern': Aesthetic Democracy, Radical Music Criticism, and 'The Sackbut'15 cited
  • 2022Heiner Goebbels and Curatorial Composing after Cage14 cited
  • 2015Jazz and the critical potential of heteronomous expressive form14 cited
  • 2020Adorno and Jazz14 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2016
From men to machines and back: Automata and the reception of virtuosity in European instrumental art music, c.1815-c.1850
12 cited