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Abstract This article arises out of work on the recently launched Lost Plays Database ( http://www.lostplays.org ), and provides a case study of how consideration of lost plays can affect studies of early modern English drama. Through attention to lost travel plays, I discuss how our perception of voyage drama as a sub‐genre stands to be radically revised by the fragmentary evidence of non‐extant texts.
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Stored only when both papers are in the corpus — 17 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.