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Performing the Past to Claim the Future: Sun Ra and the Afro-Future Underground, 1954-1968
15 references·0 citing·31 second hop
Performing the Past to Claim the Future: Sun Ra and the Afro-Future Underground, 1954-1968 (2012)Performing the Past to Claim the Future: …Space Is the Place (2020)Space Is the PlaceFurther considerations on Afrofuturism (2017)Further considerations on Afr…The Challenge of the Changing Same: The Jazz Avant-Garde of the 1960s, the Black Aesthetic and the Black Arts Movement (2005)The Challenge of the Changing…Swinging the machine: modernity, technology, and African American culture between the World Wars (2004)Swinging the machine: moderni…Appropriating Technology: Vernacular Science And Social Power (2004)Appropriating Technology: Ver…Race, Sex, and Nerds (2002)Race, Sex, and NerdsWelcome to the Dreamhouse (2001)Welcome to the DreamhouseBlutopia: visions of the future and revisions of the past in the work of Sun Ra, Duke Ellington, and Anthony Braxton (2000)Blutopia: visions of the futu…Review: Daniel Belgrad, The Culture of Spontaneity: Improvisation and the Arts in Postwar America (Chicago, 1998) (1999)Review: Daniel Belgrad, The C…The culture of spontaneity: improvisation and the arts in postwar America (1998)The culture of spontaneity: i…More Brilliant Than the Sun: Adventures in Sonic Fiction (1998)More Brilliant Than the Sun: …Users as Agents of Technological Change: The Social Construction of the Automobile in the Rural United States (1996)Users as Agents of Technologi…Extended Play: Sounding off from John Cage to Dr Funkenstein (1994)Extended Play: Sounding off f…Networks of Power: Electrification in Western Society, 1880-1930 (1984)Networks of Power: Electrific…Networks of Power: Electrification in Western Society (1984)Networks of Power: Electrific…Writing and Difference (1980)The Postmodern Condition: A Report on Knowledge (1984)Hegemony and Socialist Strategy: Towards a Radical Democratic Politics (1985)Broken Metaphor: The Master-Slave Analogy in Technical Literature (2007)The Ships Landed Long Ago: Afrofuturism and Black SF (2007)“White and Nerdy”: Computers, Race, and the Nerd Stereotype (2011)Improvisation and the Creative Process: Dewey, Collingwood, and the Aesthetics of Spontaneity (2000)Gittin' to Know Y'all: Improvised Music, Interculturalism and the Racial Imagination (2004)The Cambridge Introduction to Postmodernism (2015)Reality television (2004)Publishing Flow (2006)Soul Vibrations: Black Music and Black Freedom in Sound and Space (2011)The Ethnography of Infrastructure (1999)Sources, Procedures, and Microeconomic Effects of Innovation (2000)The Politics and Poetics of Infrastructure (2013)The dynamics of innovation: from National Systems and “Mode 2” to a Triple Helix of university–industry–government relations (2000)Explicating dynamic capabilities: the nature and microfoundations of (sustainable) enterprise performance (2007)Bricolage versus breakthrough: distributed and embedded agency in technology entrepreneurship (2003)The accidental entrepreneur: the emergent and collective process of user entrepreneurship (2007)Fairness and Abstraction in Sociotechnical Systems (2019)Introduction (2002)Afrofuturism, science fiction, and the history of the future (2006)Crossroads of Cultures: The Transnational Turn in American Studies--Presidential Address to the American Studies Association, November 12, 2004 (2005)Technology and Its Discontents: On the Verge of the Posthuman (2006)Garage band or GarageBand®? Remixing musical futures (2010)Further Considerations of Afrofuturism (2003)The mp3 as cultural artifact (2006)The Oxford Handbook of The American Musical (2011)Reconceptualizing the role of the user of spatial data infrastructure (2008)Institutions for Civic Technoscience: How Critical Making is Transforming Environmental Research (2014)LGBT Parents and Social Media (2016)
this work references cited by second hop

References

  • 1984Networks of Power: Electrification in Western Society, 1880-19301,855 cited
  • 1984Networks of Power: Electrification in Western Society1,092 cited
  • 1998More Brilliant Than the Sun: Adventures in Sonic Fiction617 cited
  • 1996Users as Agents of Technological Change: The Social Construction of the Automobile in the Rural United States452 cited
  • 2001Welcome to the Dreamhouse310 cited
  • 2004Swinging the machine: modernity, technology, and African American culture between the World Wars271 cited
  • 2004Appropriating Technology: Vernacular Science And Social Power230 cited
  • 1998The culture of spontaneity: improvisation and the arts in postwar America206 cited
  • 2002Race, Sex, and Nerds195 cited
  • 1994Extended Play: Sounding off from John Cage to Dr Funkenstein163 cited
  • 2000Blutopia: visions of the future and revisions of the past in the work of Sun Ra, Duke Ellington, and Anthony Braxton136 cited
  • 2017Further considerations on Afrofuturism96 cited
  • 2020Space Is the Place70 cited
  • 1999Review: Daniel Belgrad, The Culture of Spontaneity: Improvisation and the Arts in Postwar America (Chicago, 1998)25 cited
  • 2005The Challenge of the Changing Same: The Jazz Avant-Garde of the 1960s, the Black Aesthetic and the Black Arts Movement

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