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Non-Verbal Meaning in Caroline Private Theatre: William Cavendish's and James Shirley's The Varietie ( c. 1641)
7 references·0 citing·22 second hop
Non-Verbal Meaning in Caroline Private Theatre: William Cavendish's and James Shirley's The Varietie ( c. 1641) (2006)Non-Verbal Meaning in Caroline Private Th…Renaissance Quarterly (2016)Renaissance QuarterlyThe Myth of Elizabeth (2003)The Myth of Elizabeth"Pleasure Reconciled to Virtue": William Cavendish, Ben Jonson, and the Decorative Scheme of Bolsover Castle (1999)"Pleasure Reconciled to Virtu…APOLLO'S WHIRLIGIG: WILLIAM CAVENDISH, DUKE OF NEWCASTLE AND HIS MUSIC COLLECTION (1994)APOLLO'S WHIRLIGIG: WILLIAM C…Images of Love and Religion: Queen Henrietta Maria and Court Entertainments (1991)Images of Love and Religion: …Entertaining the Palatine Prince: Plays on Foreign Affairs 1635-1637 (1983)Entertaining the Palatine Pri…Records of Early English Drama (1979)Records of Early English DramaStudies in Iconology. Humanistic Themes in the Art of the Renaissance. (1939)Studies in Iconology. Humanistic Themes in the Art of the Renaissance. (1940)The Herakles theme: The adaptations of the hero in literature from Homer to the twentieth century (1972)Changing Notions of Authenticity: Presenting a Castle Over Four Centuries (2004)Mind the Map: Fancy, Matter, and World Construction in Margaret Cavendish’s Blazing World (2012)Geographies of Performance in the Early Modern Midlands (2014)The Musical Patronage of Robert Cecil, First Earl of Salisbury (1563–1612) (1991)The New Grove dictionary of music and musicians (2001)Transactions of the Cambridge Bibliographical Society (2020)Literature and London (2003)The Cambridge History of Early Modern English Literature (2003)The Turn to Religion in Early Modern English Studies (2004)Early Stuart Court Culture: Compliment or Criticism? (1989)Empirical Middleton: Macbeth, Adaptation, and Microauthorship (2014)English Guilds and Municipal Authority (1969)York Guilds and the Corpus Christi Plays: Unwilling Participants? (2006)They Got it Wrong: How the Misunderstanding of the Nature of the Creation to Judgment Manuscripts of the English Biblical Drama Distorted our Knowledge of the Genre (2019)Positioning Patronage: Lanyer'sSalve Deus Rex Judæorumand the Countess of Cumberland in Time and Place (2013)Ireland’s Eliza: queen orcailleach? (2014)Warfare and Economy in Renaissance Italy, 1350–1450 (2008)Medieval Materialism: A Manifesto (2010)Multiplex Network Ties and the Spatial Diffusion of Radical Innovations: Martin Luther’s Leadership in the Early Reformation (2020)
this work references cited by second hop

References

  • 2016Renaissance Quarterly502 cited
  • 1991Images of Love and Religion: Queen Henrietta Maria and Court Entertainments221 cited
  • 1999"Pleasure Reconciled to Virtue": William Cavendish, Ben Jonson, and the Decorative Scheme of Bolsover Castle46 cited
  • 2003The Myth of Elizabeth22 cited
  • 1983Entertaining the Palatine Prince: Plays on Foreign Affairs 1635-163714 cited
  • 1979Records of Early English Drama14 cited
  • 1994APOLLO'S WHIRLIGIG: WILLIAM CAVENDISH, DUKE OF NEWCASTLE AND HIS MUSIC COLLECTION5 cited

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