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Film as a Subversive Art
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Film as a Subversive Art (1974)Film as a Subversive ArtThe Irish World Music Café: Performing and Recording as Tools for Sustainable Social Integration (2017)The Irish World Music Café: P…Theorizing art cinemas: foreign, cult, avant-garde, and beyond (2014)Theorizing art cinemas: forei…SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN THE LINES (2013)SOVIET YOUTH FILMS UNDER BREZ…Discipline and Publish: The Birth of Cinematology (2009)Discipline and Publish: The B…Sleaze Mania, Euro-Trash, and High Art: The Place of European Art Films in American Low Culture (1999)Sleaze Mania, Euro-Trash, and…Cinema: imagem e interpretação (1996)Cinema: imagem e interpretaçãoThe day after:Rhetorical vision in an ironic frame (1986)The day after:Rhetorical visi…Soviet cinema in the silent era, 1918-1935 (1985)Soviet cinema in the silent e…Inscribing ethical space: Ten propositions on death, representation, and documentary (1984)Inscribing ethical space: Ten…The Origin of German Tragic Drama (1978)The Soviet Novel: History as Ritual (1982)Everything Was Forever, Until It Was No More (2013)The Soundtrack of Stagnation: Paradoxes within Soviet Rock and Pop of the 1970s (2015)Sociologia de La Vida Cotidiana (1977)La fotografía como documento social (1980)Historia del cine (2014)Kino: A History of the Russian and Soviet Film (1961)Singing on the Steppes for Stalin: Ivan Pyr'ev and the Kolkhoz Musical in Soviet Cinema (1999)Dziga Vertov's Three Songs about Lenin (1934): A Visual Tour through the History of the Soviet Avant-Garde in the Interwar Years (2003)Fragmented Mythologies: Soviet TV Mini-Series of the 1970s (2003)Distinction. A Social Critique of the Judgement of Taste (1985)Film Bodies: Gender, Genre, and Excess (1991)José Mojica Marins and the cultural politics of marginality in third world film criticism (2004)Distinction: A Social Critique of the Judgement of Taste* (2018)Bahtinyen Karnavalesk Bağlamında Kült Film Kavramı (2020)The phenomenology of the social world (1967)Theory of the Film: Character and Growth of a New Art (1970)Western Attitudes toward Death: From the Middle Ages to the Present (1975)Encounters in Camera: Autobiography as Interaction (1994)Death scenes: Ethics of the face and cinematic deaths (2001)Dying in Full Detail (2017)The Structure of Scientific Revolutions (1963)Professing Literature: An Institutional History (1989)The archeology of knowledge (1995)A Grammar of Motives (1969)Frame Analysis: An Essay on the Organization of Experience. (1975)Frame Analysis: An Essay on the Organization of Experience. (1975)Reassessing Truman, the bomb, and revisionism: The burlesque frame and entelechy in the decision to use atomic weapons against Japan (1998)Postmodern irony as subversive rhetorical strategy (1999)Symbolic Convergence in the 2015 Duggar Scandal Crisis Communication (2019)The Selfish Gene (1976)The Politics and Poetics of Transgression (1988)Creeping decay: cult soundtracks, residual media, and digital technologies (2014)Cult cinema and the ‘mainstreaming’ discourse of technological change: revisiting subcultural capital in liquid modernity (2014)Does singing promote well-being?: An empirical study of professional and amateur singers during a singing lesson (2002)Music as social life: the politics of participation (2009)The Egyptian Labor Market in an Era of Revolution (2015)‘We are all facing the same problem’: Lived experiences of online participation in the Irish World Music Café community music initiative in the context of the COVID-19 pandemic (2021)
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Cited by

  • 1984Inscribing ethical space: Ten propositions on death, representation, and documentary84 cited
  • 1985Soviet cinema in the silent era, 1918-193539 cited
  • 1986The day after:Rhetorical vision in an ironic frame31 cited
  • 2014Theorizing art cinemas: foreign, cult, avant-garde, and beyond26 cited
  • 1999Sleaze Mania, Euro-Trash, and High Art: The Place of European Art Films in American Low Culture21 cited
  • 1996Cinema: imagem e interpretação18 cited
  • 2017The Irish World Music Café: Performing and Recording as Tools for Sustainable Social Integration11 cited
  • 2009Discipline and Publish: The Birth of Cinematology9 cited
  • 2013SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN THE LINES8 cited

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