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SEM-EDX Pigment Analysis and Multi-Analytical Study of the Ground and Paint layers of Francesco Fedrigazzi's painting from Kostanje
4 references·0 citing·19 second hop
SEM-EDX Pigment Analysis and Multi-Analytical Study of the Ground and Paint layers of Francesco Fedrigazzi's painting from Kostanje (2013)SEM-EDX Pigment Analysis and Multi-Analyt…Rethinking the History of Artists' Pigments Through Chemical Analysis (2012)Rethinking the History of Art…The de Brécy Madonna and Child tondo painting: a Raman spectroscopic analysis (2006)The de Brécy Madonna and Chil…Clay and iron oxide pigments in the history of painting (2003)Clay and iron oxide pigments …4 LEAD-TIN YELLOW (1968)4 LEAD-TIN YELLOWRaman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Modern analytical methods in art and archaeology (2000)Painting Materials: A Short Encyclopedia (2011)Multi-analytical study of the suspected binding medium residues of wall paintings excavated in Tang tomb, China (2016)On the identification of folium and orchil on illuminated manuscripts (2016)Raman spectroscopy in art and archaeology (2016)Pigment Compendium: A Dictionary of Historical Pigments (2007)CERAMIC PRODUCTION, PROVENANCE AND USE—A REVIEW* (2008)Beyond the color: A structural insight to eosin-based lakes (2017)Complex investigation of the five 19th century Russian-Lipovan icons (2019)Glass-based pigments in painting: smalt blue and lead–tin yellow type II (2021)Ancient Egyptian Materials and Industries (1948)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Mineral Pigments in Archaeology: Their Analysis and the Range of Available Materials (2018)The influence of lead ions on the drying of oils (2005)Synthesizing lead antimonate in ancient and modern opaque glass (2011)Tin-based opacifiers in archaeological glass and ceramic glazes: a review and new perspectives (2018)
this work references cited by second hop

References

  • 2003Clay and iron oxide pigments in the history of painting375 cited
  • 19684 LEAD-TIN YELLOW78 cited
  • 2012Rethinking the History of Artists' Pigments Through Chemical Analysis48 cited
  • 2006The de Brécy Madonna and Child tondo painting: a Raman spectroscopic analysis26 cited

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