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The twelve-note music of Anton Webern: old forms in a new language
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Cited by

  • 2004Twentieth-Century Chamber Music26 cited
  • 2001Cross-Partitions as Harmony and Voice Leading in Twelve-Tone Music23 cited
  • 2003How Rare Is Symmetry in Musical 12-Tone Rows?16 cited
  • 1994"Mein Weg geht jetzt vorüber": The Vocal Origins of Webern's Twelve-Tone Composition12 cited
  • 2018Cycles in Webern’s Late Music5 cited
  • 2020Metric Manipulations in Post-Tonal Music4 cited
  • 2004Proclaiming the mainstream: Schoenberg, Berg, and Webern4 cited
  • 2018The Twelve-Tone Music of Roque Cordero4 cited
  • n.d.Multiple-row serialism in three works by Edison Denisov4 cited
  • 2010L’analyse musicale comme processus d’appropriation historique : Webern à Darmstadt3 cited
  • 2019Aggregates and Quasi-Aggregates: A Study of Dodecaphony in Schnittke’s Music3 cited
  • 2019Transformation Chains, Associative Areas, and a Principle of Form for Anton Webern’s Twelve-tone Music3 cited
  • 2020Yuri Kholopov and Twelve-Toneness3 cited
  • 2019"Finding the Proper Sequence": Form and Narrative in the Collage Music of John Zorn3 cited

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