Sir Philip Sidney

Abstract

directly; and unfortunately he does so less frequently than his avowed intention of "locating the play in stage spectacle would indicate.Robert Hapgood contributes sketchy notes, occa- sionally useful as performance data, on various Shakespeare productions.Daniel Seltzer, "Shakespeare's Texts and Modern Production," makes two important points: that all dra- matic performances are necessarily limited, single interpretations of the works concerned, and that dramatic "paraphrases" such as the noted Peter Brook production of King Lear teach us largely not about the original plays but about the social and philosophical

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