Opera and Drama in Eighteenth-Century London: The King's Theatre, Garrick and the Business of Performance

Ian Woodfield

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Musicology and Musical Analysis Theatre and Performance Studies Theater, Performance, and Music History

Abstract

List of tables List of musical examples Acknowledgements A note on conventions Introduction 1. The Hobart management 2. The new managers take control 3. Sacchini and the revival of opera seria 4. Recruitment procedures and artistic policy 5. The King's Theatre in crisis 6. The recruitment of Lovattini 7. The English community in Rome 8. Lucrezia Agujari at the Pantheon 9. Caterina Gabrielli 10. Rauzzini's last season 11. The King's Theatre flourishes 12. The Queen of Quavers satire 13. Financial management 14. Opera salaries 15. The sale of 1778 Appendices Notes Bibliography Index.

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2014Tartini and the Tongue of Saint Anthony 2008Denaturing the Castrato 2004Introduction: the theatre from 1660 to 1800 2009Handel at a Crossroads: His 1737-1738 and 1738-1739 Seasons Re-Examined 2011Negotiating Marriage and Professional Autonomy in the Careers of Eighteenth-Century Actresses

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