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“No vengo a pedirte nada”: la música en Villa Rica, Cauca, como un espacio donde se hace sociedad
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“No vengo a pedirte nada”: la música en Villa Rica, Cauca, como un espacio donde se hace sociedad (2009)“No vengo a pedirte nada”: la música en V…Música y fiesta en la construcción del territorio nasa (Colombia) (2008)Música y fiesta en la constru…Cultural industries and cultural policy (2005)Cultural industries and cultu…The Visible Evidence of Cultural Producers (2000)The Visible Evidence of Cultu…About Face: Performing Race in Fashion and Theater (1999)About Face: Performing Race i…On the Study of Music as Material Social Practice (1998)On the Study of Music as Mate…Body paint, feathers, and vcrs: aesthetics and authenticity in Amazonian activism (1997)Body paint, feathers, and vcr…The Ethnomusicologist, Ethnographic Method, and the Transmission of Tradition (1996)The Ethnomusicologist, Ethnog…From source to commodity: newly-composed folk music of Yugoslavia (1995)From source to commodity: new…Like a Tree Planted by the Water: The Musical Cycle in the African-American Baptist Ritual (1991)Like a Tree Planted by the Wa…Cali, terratenientes, mineros y comerciantes, siglo XVIII (1976)Cali, terratenientes, mineros…Pilgrims of the Andes: Regional Cults in Cusco (1991)Espacio, territorio y región: conceptos básicos para un proyecto nacional (1998)Tierradentro: visiones y tensiones en torno al patrimonio arqueológico (2019)El Conocimiento Tradicional Ecológico Indígena y su papel en el blindaje de territorios étnicos y en el ordenamiento territorial de Leticia, Amazonas – Colombia (2022)Distinction: A Social Critique of the Judgement of Taste. (1985)Micromusics of the West: A Comparative Approach (1992)From Folk to Popular and Back: Musical Feedback between Studio Recordings and Festival Dance-Songs in Uttarakhand, North India (2011)Singing ‘with culture’: popular musicians and affective labour in state-socialist Albania (2017)The moral economy of home construction in late socialist Yugoslavia (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)Central Problems in Social Theory: Action, Structure and Contradiction in Social Analysis. (1980)The Constitution of Society. Outline of the Theory of Structuration (1984)Prispevek k poznavanju repertoarja starejših muzikalij cerkvene glasbe v Sloveniji (2014)The Rules of Art (1996)Free culture: how big media uses technology and the law to lock down culture and control creativity (2004)Creative cities: the cultural industries and the creative class (2008)In the Social Factory? (2008)Creativity and tourism (2011)Dialectic of Enlightenment (2020)Outline of a Theory of Practice (1977)Time and the Other: How Anthropology Makes Its Object (1983)The Invention of Tradition (1986)Analyses and Interventions (1999)INDIGENOUS MOVEMENTS IN LATIN AMERICA, 1992–2004: Controversies, Ironies, New Directions (2005)The Ecologically Noble Savage Debate (2007)Discipline and Punish: The Birth of the Prison (1978)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)The Natives Are Gazing and Talking Back: Reviewing the Problematics of Positionality, Voice, and Accountability among "Native" Anthropologists (2002)CHILD‐CENTERED? THINKING CRITICALLY ABOUT CHILDREN'S DRAWINGS AS A VISUAL RESEARCH METHOD (2006)World Heritage and Cultural Economics (2006)The Elusive Dream (2008)Studies in the Social and Cultural Foundations of Language (2002)The Girling of America: Critical Reflections on Gender and Popular Communication (2003)The Politics of Cultural Production (2022)Queer Relationships with Music and an Experiential Hermeneutics for Musical Meaning (2014)Semiotic approaches to “traditional music”, musical/poetic structures, and ethnographic research (2019)Transmisi, Musik Lokal-Tradisional, dan Musik Populer (2020)Campesinado, luchas agrarias e historia social: notas para un balance historiográfico (1983)Resistance and Rebellion on the Spanish Frontier: Native Responses to Colonization in the Colombian Chocó, 1670-1690 (1999)Gone Platinum: Contraband and Chemistry in Eighteenth-Century Colombia (2011)
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References

  • 2005Cultural industries and cultural policy527 cited
  • 1997Body paint, feathers, and vcrs: aesthetics and authenticity in Amazonian activism434 cited
  • 2000The Visible Evidence of Cultural Producers225 cited
  • 1976Cali, terratenientes, mineros y comerciantes, siglo XVIII82 cited
  • 1999About Face: Performing Race in Fashion and Theater29 cited
  • 1995From source to commodity: newly-composed folk music of Yugoslavia26 cited
  • 1991Like a Tree Planted by the Water: The Musical Cycle in the African-American Baptist Ritual22 cited
  • 1996The Ethnomusicologist, Ethnographic Method, and the Transmission of Tradition20 cited
  • 2008Música y fiesta en la construcción del territorio nasa (Colombia)12 cited
  • 1998On the Study of Music as Material Social Practice9 cited

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