SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Cambridge Companion to Victorian and Edwardian Theatre
0 references·16 citing·24 second hop
The Cambridge Companion to Victorian and Edwardian Theatre (2004)The Cambridge Companion to Victorian and …The Cambridge Companion to American Theatre since 1945 (2021)The Cambridge Companion to Am…The Cambridge Companion to English Melodrama (2018)The Cambridge Companion to En…Nautical Melodrama (2018)Nautical MelodramaGothic Melodrama (2018)Gothic MelodramaEarly English Melodrama (2018)Early English MelodramaDomestic Melodrama (2018)Domestic MelodramaChildhood and Celebrity (2017)Childhood and CelebrityWriting about America (2012)Writing about AmericaVictorian reading (2012)Victorian readingThe Cambridge History of Victorian Literature (2012)The Cambridge History of Vict…Publishing and the materiality of the book (2012)Publishing and the materialit…Melodrama (2012)Melodrama‘The annihilation of space and time’: literature and technology (2012)‘The annihilation of space an…Toga Plays and Tableaux Vivants: Theatre and Painting on London’s Late-Victorian and Edwardian Popular Stage (2010)Toga Plays and Tableaux Vivan…From the Fallen Woman to the Fallen Typist, 1908–1922 (2009)From the Fallen Woman to the …The theatrical revolution, 1776–1843 (2004)The theatrical revolution, 17…Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siecle Culture (1989)Myths of Sexuality: Representations of Women in Victorian Britain (1989)Theater and Society in the Classical World (1996)Leopard in kitten heels: The politics of Theresa May’s sartorial choices (2019)Le Morte D'Arthur (1930)The Making of Victorian Sexuality (1994)The Oxford Book of English Verse (2000)Interwar Modernism and the Liberal World Order: Offices, Institutions, and Aesthetics after 1919 (2019)The Dialogic Imagination: Four Essays (1982)The Social Life of Things (1986)We Have Never Been Modern (1994)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)Liveness: performance in a mediatized culture (2008)The Explicit Body in Performance (2010)Performing Remains (2011)Imperial Eyes (1900)The Black Atlantic: Modernity and Double Consciousness (1994)The Political Lives of Victorian Animals (2019)The Making of the English Working Class (1964)Cities of the dead: circum-Atlantic performance (1996)The Female Complaint (2008)The Cambridge History of the Gothic (2020)The Music of the Gothic 1789–1820 (2024)Melodrama (2018)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2012Melodrama97 cited
  • 2018Domestic Melodrama29 cited
  • 2018Gothic Melodrama26 cited
  • 2018The Cambridge Companion to English Melodrama25 cited
  • 2012‘The annihilation of space and time’: literature and technology25 cited
  • 2009From the Fallen Woman to the Fallen Typist, 1908–192223 cited
  • 2012Writing about America22 cited
  • 2021The Cambridge Companion to American Theatre since 194519 cited
  • 2017Childhood and Celebrity18 cited
  • 2010Toga Plays and Tableaux Vivants: Theatre and Painting on London’s Late-Victorian and Edwardian Popular Stage17 cited
  • 2012Publishing and the materiality of the book17 cited
  • 2012The Cambridge History of Victorian Literature17 cited
  • 2012Victorian reading16 cited
  • 2018Nautical Melodrama12 cited
  • 2018Early English Melodrama8 cited
  • 2004The theatrical revolution, 1776–18438 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work