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This paper presents a framework being developed to clarify discussion of algorithmic musical processes. We will firstly present some of the current terminological problems and then discuss related research and background concepts. Following this, two principal attributes that enable intuitive comparison of algorithmic compositional processes will be defined in detail. The framework will then be demonstrated by applying it to a number of representative examples of differing algorithmic music systems.
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Stored only when both papers are in the corpus — 33 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.