SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Disaster movies: the cinema of catastrophe
0 references·14 citing·42 second hop
Disaster movies: the cinema of catastrophe (2002)Disaster movies: the cinema of catastropheLifelines of Our Society (2023)Lifelines of Our SocietyCatastrophe colonialism: Global disaster films and the white right to migrate (2022)Catastrophe colonialism: Glob…Disaster Media: Bending the Curve of Ecological Disruption and Moving toward Social Justice (2020)Disaster Media: Bending the C…Adaptation in the Age of Media Convergence (2019)Adaptation in the Age of Medi…Cli‐fi on the screen(s): patterns in the representations of climate change in fictional films (2015)Cli‐fi on the screen(s): patt…"We Are All Uxbal": Narrative Complexity in the Urban Borderlands in Biutiful (2015)"We Are All Uxbal": Narrative…The Depiction of the US President in Apocalyptic Cinema (2014)The Depiction of the US Presi…Revisioning Premodern Fine Art as Popular Visual Culture (2014)Revisioning Premodern Fine Ar…Framing Environmental Risks and Natural Disasters in Factual Entertainment Television (2013)Framing Environmental Risks a…Después del fin de la historia: Estados de excepción y escenarios de emergencia en el cine de terror español contemporáneo (2002-2013) (2013)Después del fin de la histori…Representing politics in disaster films (2011)Representing politics in disa…‘Lemons in Siberia’: a new approach to the study of the Yugoslav cinema of the 1950s (2008)‘Lemons in Siberia’: a new ap…The Role of the Mass Communication System in Natural and Technological Disasters and Possible Extrapolation to Terrorism Situations (2002)The Role of the Mass Communic…Spectacles of History: Race Relations, Melodrama, and the Science Fiction/Disaster Film (2002)Spectacles of History: Race R…Deciding What's News: A Study of CBS Evening News, NBC Nightly News, Newsweek, and Time (1979)Making News: A Study in the Construction of Reality. (1980)Is Anyone Responsible? (1991)Community Processes: Warning and Evacuation (2007)Covering Wildfires: Media Emphasis and Silence after the Carlton and Okanogan Complex Wildfires (2018)Natural hazards as political events: framing and politicisation of floods in the United Kingdom (2021)Framing: Toward Clarification of a Fractured Paradigm (1993)Risk Society, Towards a New Modernity (1994)Risk Society: Towards a New Modernity (1995)Democracy in a Time of Misery (2019)Popularizing the environment in modern media (2019)Young adults’ fear of disasters: A case study of residents from Turkey, Serbia and Macedonia (2019)Storytelling in the new Hollywood: understanding classical narrative technique (2000)The Way Hollywood Tells It (2006)The way Hollywood tells it: story and style in modern movies (2006)Soft Socialism, Hard Realism: Partisan Song, Parody, and Intertextual Listening in Yugoslav Black Wave Film (1968–1972) (2019)Melodrama and Tears (1986)American Anatomies: Theorizing Race and Gender. (1997)Playing the race card: melodramas of black and white from Uncle Tom to O.J. Simpson (2001)The Volcanic Disaster Narrative: From Pleasure Garden to Canvas, Page, and Stage (2011)The melodrama of being a child: NGO representations of poverty (2013)Heat wave: a social autopsy of disaster in Chicago (2003)Balance as bias: global warming and the US prestige press (2004)Why We Disagree about Climate Change (2009)Reflections on climate change communication research and practice in the second decade of the 21st century: what more is there to say? (2016)Public engagement with climate imagery in a changing digital landscape (2018)Science stories as culture: experience, identity, narrative and emotion in public communication of science (2019)Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color (1991)8 Decolonizing Methodologies: Research and Indigenous Peoples (2024)Step Across This Line: Collected Nonfiction 1992-2002 (2002)Borderlands/La Frontera: The New Mestiza (2017)The Dialogic Imagination: Four Essays (1981)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Postmodernism, or, The cultural logic of late capitalism (1991)Are Books Still 'Different'? (2023)Immersion vs. Engaged Interactivity in The Autobiography of Jane Eyre’s Storyworld; Or What We Can Learn from Paratextual Traces (2023)The shock doctrine: the rise of disaster capitalism (2008)The Intimacies of Four Continents (2015)Epistemic Freedom in Africa (2018)THE CONCEPT OF A TOURIST AREA CYCLE OF EVOLUTION: IMPLICATIONS FOR MANAGEMENT OF RESOURCES (1980)The Constitution of Society. Outline of the Theory of Structuration (1984)The Ethnography of Infrastructure (1999)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2015Cli‐fi on the screen(s): patterns in the representations of climate change in fictional films100 cited
  • 2002Spectacles of History: Race Relations, Melodrama, and the Science Fiction/Disaster Film62 cited
  • 2002The Role of the Mass Communication System in Natural and Technological Disasters and Possible Extrapolation to Terrorism Situations50 cited
  • 2013Framing Environmental Risks and Natural Disasters in Factual Entertainment Television47 cited
  • 2020Disaster Media: Bending the Curve of Ecological Disruption and Moving toward Social Justice19 cited
  • 2019Adaptation in the Age of Media Convergence17 cited
  • 2023Lifelines of Our Society15 cited
  • 2022Catastrophe colonialism: Global disaster films and the white right to migrate15 cited
  • 2015"We Are All Uxbal": Narrative Complexity in the Urban Borderlands in Biutiful10 cited
  • 2008‘Lemons in Siberia’: a new approach to the study of the Yugoslav cinema of the 1950s8 cited
  • 2014Revisioning Premodern Fine Art as Popular Visual Culture8 cited
  • 2011Representing politics in disaster films7 cited
  • 2014The Depiction of the US President in Apocalyptic Cinema4 cited
  • 2013Después del fin de la historia: Estados de excepción y escenarios de emergencia en el cine de terror español contemporáneo (2002-2013)

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

4 cited