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The publication investigates the change in aesthetics that has emerged through digital textile design and print technology. The development of digital printing has removed restrictions that textile designers have faced giving freedom to colour, scale, layout and greater experimentation. It offers discussion about the new visual language being employed by couture fashion designers such as Alexander McQueen, Hussein Chalayan and Prada. The book examines the possibilities open to the designer of combining both traditional and digital processes to create a new hybrid craft. It profiles researchers who are embracing new design techniques through digital print technology into their practice.
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