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Cited by

• 2011The Cambridge History of African American Literature124 cited
• 2010Romance, Diaspora, and Black Atlantic Literature105 cited
• 2010Style, Gender, and Fantasy in Nineteenth-Century American Women's Writing92 cited
• 2002Black Anglophilia; or, The Sociability of Antislavery55 cited
• 2011The Cambridge Introduction to American Literary Realism46 cited
• 2002"More than Romance": Genre and Geography in Dark Princess44 cited
• 2017A History of the African American Novel40 cited
• 2014HIP-HOP HABITUS v.2.035 cited
• 2004"Raising the Stigma": Black Womanhood and the Marked Body in Pauline Hopkins's Contending Forces35 cited
• 1995"My Picture of You Is, after All, the True Helga Crane": Portraiture and Identity in Nella Larsen's "Quicksand"35 cited
• 1997"Bonds of Brotherhood": Pauline Hopkins and the Work of Melodrama34 cited
• 1996Reconstructing Motherhood: Pauline Hopkins' Contending Forces24 cited
• 2003Rumors of Grace: White Masculinity in Pauline Hopkins's "Contending Forces"21 cited
• 2019“Time Enough, but None to Spare”: The Indispensable Temporalities of Charles Chesnutt’s The Marrow of Tradition18 cited