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Cited by

• 2001The Widow Hunt on the Tudor-Stuart Stage62 cited
• 2004Widows and Suitors in Early Modern English Comedy48 cited
• 1997Othello Circumcised: Shakespeare and the Pauline Discourse of Nations43 cited
• 2002Break her will, and bruise no bone sir”’: Colonial and Sexual Mastery in Fletcher’s The Island Princess41 cited
• 1993The Triumphes of Golde: Economic Authority in the Jacobean Lord Mayor's Show23 cited
• 2007Playing the Tourist in Early Modern London: Selling the Liberties Onstage19 cited
• 1998All's well that ends well19 cited
• 1976Aretino's Pornography and Renaissance Satire14 cited
• 2000Collaborating across Generations: Thomas Heywood, Richard Brome, and the Production of The Late Lancashire Witches10 cited
• 1969Fertility and Comic Form in A Chaste Maid in Cheapside10 cited
• 1967Anthony Munday: Pageant Poet to the City of London9 cited
• 2009Paratexts in Francis Beaumont's The Knight of the Burning Pestle7 cited
• 1973Wives, Courtesans, and the Economics of Love in Jacobean City Comedy5 cited
• 1957The tragedies of Thomas Middleton and the decadence of the drama5 cited