Embodied Experimentalism and Henry Cowell’s The Banshee

Abstract

Research Article| December 01 2010 Embodied Experimentalism and Henry Cowell’s The Banshee MARIA CIZMIC MARIA CIZMIC Maria Cizmic is Assistant Professor of Humanities and Cultural Studies at the University of South Florida. She completed her Ph.D. in musicology at the University of California-Los Angeles, where she was a Jacob K. Javitz fellow. Maria is currently working on a book project entitled “Performing Pain: Music and Trauma in Eastern Europe” (forthcoming in 2011). In addition to trauma, mourning, and music, Maria’s areas of interest include film music, technology, the body, and performance. Search for other works by this author on: This Site Google American Music (2010) 28 (4): 436–458. https://doi.org/10.5406/americanmusic.28.4.0436 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation MARIA CIZMIC; Embodied Experimentalism and Henry Cowell’s The Banshee. American Music 1 December 2010; 28 (4): 436–458. doi: https://doi.org/10.5406/americanmusic.28.4.0436 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressAmerican Music Search Advanced Search The text of this article is only available as a PDF. 2010 Board of Trustees of the University of Illinois2010 Article PDF first page preview Close Modal Issue Section: ARTICLES You do not currently have access to this content.

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