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Rock in the reservation : songs from Leningrad Rock Club 1981-86
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Rock in the reservation : songs from Leningrad Rock Club 1981-86 (2005)Rock in the reservation : songs from Leni…“We also can. We're not worse”: The Anglophone Wave in Russian indie music (Indi), 2008–2012 (2020)“We also can. We're not worse…Sounds of a ‘Rotting City’: Punk in Russia’s Arctic Hinterland (2014)Sounds of a ‘Rotting City’: P…Theory and Method in Popular Music Analysis: Text and Meaning (2012)Theory and Method in Popular …Siberian punk shall emerge here: Egor Letov and Grazhdanskaia Oborona (2012)Siberian punk shall emerge he…Visions of the (Holy) Motherland in Contemporary Russian Popular Music: Nostalgia, Patriotism, Religion andRusskii Rok (2009)Visions of the (Holy) Motherl…Prehistories and Afterlives: The Packaging and Re-packaging of Soviet Rock (2009)Prehistories and Afterlives: …The archaeology of knowledge ; and, The discourse on language (1972)Discipline and Punish: The Birth of the Prison. (1978)The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change (1991)The Politics of Military Force (2020)Lipstick traces: a secret history of the twentieth century (1990)Places on the margin: Alternative geographies of modernity (1991)Systems of articulation, logics of change: Communities and scenes in popular music (1991)A Comparison Between Portuguese and Chinese Punks: A Genealogy, Style, and Space (2018)Popular Music and Society (1996)Everything was forever, until it was no more: the last Soviet generation (2006)Objects of Desire: Canon Formation and Blues Record Collecting (2006)Yearbook for Traditional Music, 23 (1991). Published by the International Council for Traditional Music. 198 pp. paperbound. Included with $30 ICTM membership. - Music and Dance of Aboriginal Australia and the South Pacific: The Effects of Documentation on the Living Tradition edited by Alice Marshall Moyle. Oceania Monograph 41. Sydney: University of Sydney, 1992. iv + 286 pp. paperbound. - Polynesian Music and Dance, by Richard Moyle. Auckland: Centre for Pacific Studies, University of Auckland, 1991. 64 pp. $10 paperbound. (1994)Music geography in Russia: non-auratic places and institutionalization “in becoming” (2019)Transcending Distinctions between Religious and Secular Musicianship: Nigerian Pentecostals across Popular Performance Settings (2019)Subculture: The Meaning of Style (1995)Everything Was Forever, Until It Was No More (2013)Pussy Riot’s Musical Precursors? The National Bolshevik Party Bands, 1994–2007 (2015)THE ELEMENTARY FORMS OF RELIGIOUS LIFE (1916)Global Englishes and Transcultural Flows (2006)The Elementary Forms of the Religious Life: (2011)Russophone or Anglophone? The Politics of Identity in Contemporary Russian Indie Music (2020)‘We come from the underground’: grounding Chinese punk in Beijing and Wuhan (2022)
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  • 2009Visions of the (Holy) Motherland in Contemporary Russian Popular Music: Nostalgia, Patriotism, Religion andRusskii Rok16 cited
  • 2012Theory and Method in Popular Music Analysis: Text and Meaning8 cited
  • 2012Siberian punk shall emerge here: Egor Letov and Grazhdanskaia Oborona7 cited
  • 2009Prehistories and Afterlives: The Packaging and Re-packaging of Soviet Rock6 cited
  • 2020“We also can. We're not worse”: The Anglophone Wave in Russian indie music (Indi), 2008–20124 cited
  • 2014Sounds of a ‘Rotting City’: Punk in Russia’s Arctic Hinterland3 cited

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