Art and politics, 1750-1764

Ronald Paulson · William Hogarth

3 citations0/0 files storedRutgers University Press eBooks

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Historical Art and Culture Studies Visual Culture and Art Theory Historical and Literary Analyses

Abstract

1. Hogarth's Reputation and the Idea of an Academy. 2. Popular and Polite Prints, 1751-1752. 3. Aesthetics, Erotics and Politics: The Analysis of Beauty, 1752-1753: The Text. 4. The Analysis of Beauty, 1752-1753: The Illustrations. 5. The Analysis of Beauty, 1752-1753: Reception. 6. Electoral Politics: Four Prints of an Election, 1754-1758. 7. The Politics of Art, 1754-1758. 8. Last History Paintings, 1755-1759. 9. Covert Politics: Beautiful versus Sublime, 1758-1760. 10. Special Commissions. 11. Portraits and Likenesses. 12. The Art Exhibitions of 1760-1761. 13. The Sign Painters' Exhibition of 1762. 14. Over Politics: The Times, Plate 1, 1762. 15. The Times, Plate 2, 1762-1763. 16. Finis: The Tail Piece, 1763-1764.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 3 citations exist upstream.

Cited by

2003The “Slow but Sure Poyson”: The Representation of Gin and Its Drinkers, 1736–1751

Imported from OpenAlex (CC0) — nothing here is generated.