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Especímenes antropométricos y curiosidades pintorescas: la orquestación fotográfica del cuerpo “negro” (Brasil circa 1865)
16 references·1 citing·29 second hop
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this work references cited by second hop

References

  • 2023Black Skin, White Masks6,308 cited
  • 1997Imperial Leather: Race, Gender and Sexuality in the Colonial Contest2,601 cited
  • 2001Against Race: Imagining Political Culture beyond the Color Line2,264 cited
  • 1998Scenes of subjection: terror, slavery, and self-making in nineteenth-century America1,350 cited
  • 1989The Burden of Representation: Essays on Photographies and Histories.935 cited
  • 2000Colonialidad del Poder y Clasi? cacion Social737 cited
  • 1997Disappearing acts: spectacles of gender and nationalism in Argentina's "dirty war"616 cited
  • 2000Fiction in the age of photography: the legacy of British realism492 cited
  • 2004Photography on the Color Line360 cited
  • 1998Vision, Race, and Modernity: A Visual Economy of the Andean Image World339 cited
  • 1999Picturing Empire: Photography and the Visualization of the British Empire283 cited
  • 2001Picturing Tropical Nature255 cited
  • 1995Black Bodies, White Science: Louis Agassiz's Slave Daguerreotypes209 cited
  • 1972Outcasts from Evolution: Scientific Attitudes of Racial Inferiority, 1859- 1900.148 cited
  • 2004Photography on the Color Line94 cited

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1984
Veins of Resemblance: Photography and Eugenics
89 cited

Cited by

  • 2016Biological Discourses on Human Races and Scientific Racism in Brazil (1832–1911)21 cited