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Stanislavsky on the art of the stage
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  • 2019On the “Realities” of Investor‐Manager Interactivity: Baudrillard, Hyperreality, and Management Q&A Sessions30 cited
  • 2019Rediscovering Stanislavsky25 cited
  • 2013Gesture and body-movement as teaching and learning tools in the classical voice lesson: a survey into current practice23 cited
  • 2012The Breath of the Poem: Confessional Print/Performance circa 195919 cited
  • 2012‘Too much music’: the media of opera16 cited
  • 2012The operatic event: opera houses and opera audiences13 cited
  • 2008Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas13 cited
  • 2012Opera and modes of theatrical production12 cited
  • 2012Opera and the technologies of theatrical production12 cited
  • 1968Suggestion regarding Drama, Inner Creation, and Role-Taking (Empathy): I. Dramatic Arts and Dramatic Dreaming12 cited
  • 2000Standards and Practices12 cited
  • 2012Introduction: opera studies today11 cited
  • 2004Humanising Education: Theatre in Pedagogy10 cited
  • 2012Genre and poetics8 cited
  • 2012Voices and singers

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6 cited
  • 1997The Significance of Theatrical Activities for English Instruction in Primary School6 cited