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Cited by

• 2011New Orleans Music as a Circulatory System64 cited
• 1988The Afro-American Transformation of European Set Dances and Dance Suites46 cited
• 2014Storytelling in jazz improvisation: Implications of a rich intermedial metaphor32 cited
• 2002The Nineteenth-Century Origins of Jazz18 cited
• 2017Interludes in Madtime11 cited
• 2018Popular Music, Stars and Stardom10 cited
• 2000August Wilson, Doubling, Madness, and Modern African-American Drama10 cited
• 2023Jazz and body percussion. A proposal of creative strategies with the BAPNE method8 cited
• 2012Black Musics, Technology, and Modernity: Exhibit A, the Drum Kit5 cited
• 2018The Cambridge Encyclopedia of Brass Instruments5 cited
• 2006New Orleans and the Creation of Early Jazz5 cited
• 2008Parading the Underworld of New Orleans in Ondaatje'sComing Through Slaughter5 cited
• 2020Finding Florence Mills: The Voice of the Harlem Jazz Queen in the Compositions of William Grant Still and Edmund Thornton Jenkins4 cited
• 1994The Influence of West African Pedagogy upon the Education of New Orleans Jazz Musicians4 cited
• 1985