Transamerican theatre: Pierre Faubert and L'Oncle Tom

Abstract

IMPASSE AND IMAGINATION: HAITI IN THE US PUBLIC SPHERE In September 1855, at the height of the expansionist presidential administration that Hawthorne had helped to usher into Washington with his popular biography of Pierce, Putnam's Monthly Magazine of American Science, Literature, and Art featured a long quasi-anthropological article titled “The Amazons of South America.” Though published anonymously and treating a rather arcane subject, the article implicates the Mexican genealogy treated in the previous chapter within the historical sources recording the legend of Amazons in the Americas. Printed alongside a review of Leaves of Grass that approvingly cites Whitman's commemoration of “the fall of Alamo” during the US-Mexican War, the essay gives us a glimpse of the varied kinds of hemispheric imaginings that this era's many generalist periodicals were circulating in the US public sphere. Synthesizing a number of writings in Spanish and English, the article proposed a Mexican-Caribbean continuum of history and legend that ostensibly “solved” the mysterious questions surrounding these indigenous female warriors by positing the Amazons as the lineal descendants and worshippers of the feathered-serpent god known as Quetzalcoatl, the mythical-historical deity and king who first appeared in the time of the Toltecs. Like the figure discussed at the end of the previous chapter – Coatlalopeuh, or “She who has dominion over serpents” – Quetzalcoatl was descended from the early Mesoamerican goddess Coatlicue, or Serpent Skirt, and retained the goddess's ancient identification with snakes.

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