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Rock Art Animals in Profile: Visual Recognition and the Principles of Canonical Form
13 references·7 citing·33 second hop
Rock Art Animals in Profile: Visual Recognition and the Principles of Canonical Form (2013)Rock Art Animals in Profile: Visual Recog…Caricature and Contrast in the Upper Palaeolithic: Morphometric Evidence from Cave Art (2009)Caricature and Contrast in th…On Pictorial Representation (1998)On Pictorial RepresentationPerception/ depiction/ perception, and communication: a skeleton key to rock art and its significance (1995)Perception/ depiction/ percep…Paleolithic Art and Cognition (1992)Paleolithic Art and CognitionA Field Guide to Aboriginal Rock Engravings: with Special Reference to Those Around Sydney (1991)A Field Guide to Aboriginal R…Varieties of Realism: Geometries of Representational Art (1986)Varieties of Realism: Geometr…Objects, parts, and categories. (1984)Objects, parts, and categorie…Basic objects in natural categories (1976)Basic objects in natural cate…On Art and the Mind: Essays and Lectures (1975)On Art and the Mind: Essays a…Family resemblances: Studies in the internal structure of categories (1975)Family resemblances: Studies …The Senses Considered as Perceptual Systems (1969)The Senses Considered as Perc…Art and Illusion: A Study in the Psychology of Pictorial Representation (1960)Art and Illusion: A Study in …Art and Illusion: A Study in the Psychology of Pictorial Representation (1960)Art and Illusion: A Study in …Que animal é esse? Uma proposta teórico-metodológica de classificação taxonômica arqueológica em registro rupestre das representações zoomórficas reconhecíveis (2023)Que animal é esse? Uma propos…Conversations with Caves: The Role of Pareidolia in the Upper Palaeolithic Figurative Art of Las Monedas and La Pasiega (Cantabria, Spain) (2023)Conversations with Caves: The…Do Pleistocene rock paintings depict Sulawesi warty pigs (Sus celebensis) with a domestication character? (2021)Do Pleistocene rock paintings…Vasari, Schapiro, Schaafsma: Three Points of Departure for a Discussion of Style in Rock Art (2019)Vasari, Schapiro, Schaafsma: …The body as intelligent tool: the making and reading of trace and trace-derived forms in rock art (2018)The body as intelligent tool:…The Archaeology of Sulawesi: Current Research on the Pleistocene to the Historic Period (2018)The Archaeology of Sulawesi: …Canonical Figures and the Recognition of Animals in Life and Art (2014)Canonical Figures and the Rec…Thought and language (1962)Fuzzy sets (1965)Cognitive representations of semantic categories. (1975)Features of similarity. (1977)The origins of intelligence in children. (1952)Social Psychology of Intergroup Relations (1982)Object categories and expertise: Is the basic level in the eye of the beholder? (1991)Individuation, relativity, and early word learning (2001)Principles of Categorization (2002)Doing without Concepts (2009)Art and Illusion. A Study in the Psychology of Pictorial Representation (1960)Dental Anthropology (1996)On the road of the winds: an archaeological history of the Pacific Islands before European contact (2000)Traces of Early Austronesian Expansion to East Indonesia? New Discovery of Dentate-Stamped and Lime-Infilled Pottery from Central Sulawesi (2019)INTERACTION BETWEEN THE TOALEAN AND AUSTRONESIAN CULTURES IN THE MALLAWA AREA, MAROS DISTRICT, SOUTH SULAWESI (2020)Metal-Age maritime culture at Jareng Bori rockshelter, Pantar Island, eastern Indonesia (2020)Intention, history, and artifact concepts (1996)Beyond Resemblance (2013)Visual Representations and Learning: The Role of Static and Animated Graphics (2013)Minds, brains, and programs (1980)The motor theory of speech perception revised (1985)The Functional Architecture of Human Empathy (2004)When Innovations Meet Institutions: Edison and the Design of the Electric Light (2001)Storytime: young children's literary understanding in the classroom (2008)Depicting as a method of communication. (2016)Seeing, Doing, and Knowing (2005)The Role of Imagination in Decision‐Making (2016)Hermeneutics and the Human Sciences (2019)On Images (2006)Empathy with Inanimate Objects and the Uncanny Valley (2009)Aesthetics as Philosophy of Perception (2016)Early understanding of the representational function of pictures (1994)Video Game Genre, Evolution and Innovation (2009)
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References

  • 1969The Senses Considered as Perceptual Systems6,336 cited
  • 1975Family resemblances: Studies in the internal structure of categories5,932 cited
  • 1976Basic objects in natural categories5,645 cited
  • 1960Art and Illusion: A Study in the Psychology of Pictorial Representation1,138 cited
  • 1984Objects, parts, and categories.769 cited
  • 1960Art and Illusion: A Study in the Psychology of Pictorial Representation310 cited
  • 1998On Pictorial Representation215 cited
  • 1986Varieties of Realism: Geometries of Representational Art126 cited
  • 1975On Art and the Mind: Essays and Lectures107 cited
  • 1991A Field Guide to Aboriginal Rock Engravings: with Special Reference to Those Around Sydney23 cited
  • 2009Caricature and Contrast in the Upper Palaeolithic: Morphometric Evidence from Cave Art20 cited
  • 1995Perception/ depiction/ perception, and communication: a skeleton key to rock art and its significance15 cited
  • 1992Paleolithic Art and Cognition15 cited

Cited by

  • 2018The Archaeology of Sulawesi: Current Research on the Pleistocene to the Historic Period34 cited
  • 2023Conversations with Caves: The Role of Pareidolia in the Upper Palaeolithic Figurative Art of Las Monedas and La Pasiega (Cantabria, Spain)

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14 cited
  • 2021Do Pleistocene rock paintings depict Sulawesi warty pigs (Sus celebensis) with a domestication character?10 cited
  • 2014Canonical Figures and the Recognition of Animals in Life and Art5 cited
  • 2018The body as intelligent tool: the making and reading of trace and trace-derived forms in rock art3 cited
  • 2019Vasari, Schapiro, Schaafsma: Three Points of Departure for a Discussion of Style in Rock Art1 cited
  • 2023Que animal é esse? Uma proposta teórico-metodológica de classificação taxonômica arqueológica em registro rupestre das representações zoomórficas reconhecíveis0 cited