SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
De la narration à la consécration
7 references·2 citing·35 second hop
De la narration à la consécration (2008)De la narration à la consécrationEarly Netherlandish Painting (2019)Early Netherlandish PaintingPersistence and fashion in art Italian Renaissance from Vasari to Berenson and beyond (2005)Persistence and fashion in ar…L’histoire de l’histoire de l’art (2004)L’histoire de l’histoire de l…Recognition and Renown: The Survival of Artistic Reputation (1988)Recognition and Renown: The S…Le phénix culturel: de la résurrection dans l'histoire de l'art L'exemple des peintres français (1650-1750) (1986)Le phénix culturel: de la rés…The field of cultural production, or: The economic world reversed (1983)The field of cultural product…How a literacy work becomes a masterpiece: On the threefold selection practised by literary criticism (1983)How a literacy work becomes a…Buy one painting, get two names. On the valuation of artist collaborations in the art market (2020)Buy one painting, get two nam…How portraits turned their eyes upon us: Visual preferences and demographic change in cultural evolution (2013)How portraits turned their ey…Emotional selection in memes: The case of urban legends. (2001)The cognitive foundations of cultural stability and diversity (2003)Language, Usage and Cognition (2010)Copy-the-majority of instances or individuals? Two approaches to the majority and their consequences for conformist decision-making (2019)Methods for studying cultural attraction (2019)Cultural Attraction in Film Evolution: the Case of Anachronies (2020)Ut Pictura Poesis: The Humanistic Theory of Painting (1940)Art As Collective Action (1974)The production of belief: contribution to an economy of symbolic goods (1980)Classification in Art (1987)Towards a Reflexive Sociology: A Workshop with Pierre Bourdieu (1989)‘It's all becoming a habitus’: beyond the habitual use of habitus in educational research (2004)The Story of Art (1950)Aesthetics; Problems in the Philosophy of Criticism (1959)Evaluating Excellence in the Arts (2014)More method in the mad-genius controversy: A historiometric study of 204 historic creators. (2014)Painting and Publishing as Cultural Industries. The Fabric of Creativity in the Dutch Republic, 1580-1800 (2016)The Long Revolution (1961)Questions de sociologie (1981)The dynamics of artistic prestige (2002)A general theory of artistic legitimation: How art worlds are like social movements (2006)The Legitimacy of Book Critics in the Age of the Internet and Omnivorousness: Expert Critics, Internet Critics and Peer Critics in Flanders and the Netherlands (2009)On Collective Memory (1992)Middle‐Status Conformity: Theoretical Restatement and Empirical Demonstration in Two Markets (2001)Movements and Memory: The Making of the Stonewall Myth (2006)The Theory of the Leisure Class (2009)Status: Insights from Organizational Sociology (2012)Distinction: A Social Critique of the Judgement of Taste* (2018)The Market for "Lemons": Quality Uncertainty and the Market Mechanism (1970)Job Market Signaling (1973)Conceptualizing, Measuring, and Managing Customer-Based Brand Equity (1993)L’histoire de l’art et le quantitatif (2008)The construction of poetic meaning (1987)The privilege of ‘proximity’: towards a re-definition of the function of armorials (1997)The New Cambridge History of the Bible (2012)
this work references cited by second hop

References

  • 1983The field of cultural production, or: The economic world reversed1,362 cited
  • 1988Recognition and Renown: The Survival of Artistic Reputation226 cited
  • 2019Early Netherlandish Painting220 cited
  • 1983How a literacy work becomes a masterpiece: On the threefold selection practised by literary criticism102 cited
  • 2005Persistence and fashion in art Italian Renaissance from Vasari to Berenson and beyond56 cited
  • 1986Le phénix culturel: de la résurrection dans l'histoire de l'art L'exemple des peintres français (1650-1750)24 cited
  • 2004L’histoire de l’histoire de l’art5 cited

Cited by

  • 2013How portraits turned their eyes upon us: Visual preferences and demographic change in cultural evolution99 cited
  • 2020Buy one painting, get two names. On the valuation of artist collaborations in the art market8 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work