Performing Shakespeare in the age of empire

Unknown author

72 citations0/0 files storedChoice Reviews Online

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Shakespeare, Adaptation, and Literary Criticism Theatre and Performance Studies Theater, Performance, and Music History

Abstract

List of illustrations Acknowledgments Introduction 1. The hero as actor: William Charles Macready 2. Equerries and equestrians: Phelps, Kean and Astley's 3. A babel of bardolaters: the 1864 tercentenary 4. Made in Manchester: Charles Calvert and George Rignold 5. The fashionable tragedian: Henry Irving 6. The imperial stage: Beerbohm Tree and Benson 7. The national arena: Granville Barker, Louis Calvert and Annie Horniman 8. The theatre of war: the 1916 tercentenary In conclusion Notes References Index.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 72 citations exist upstream.

Cited by

2009William Shakespeare: The model Victorian Protestant 2014Theater, Exhibition, and Spectacle in the Nineteenth Century 2007Alice Shortcake, Jenny Pluckpears, and the Stratford-Upon-Avon Connections of Vaughan Williams's 'Sir John in Love'

Imported from OpenAlex (CC0) — nothing here is generated.