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Repertoire Conventionality in Major US Symphony Orchestras: Factors Influencing Management's Programming Choices
11 references·0 citing·41 second hop
Repertoire Conventionality in Major US Symphony Orchestras: Factors Influencing Management's Programming Choices (2013)Repertoire Conventionality in Major US Sy…Factors that influence programming decisions of US symphony orchestras (2011)Factors that influence progra…Budgetary constraints and programmatic choices by Flemish subsidized theatres (2008)Budgetary constraints and pro…Public funding and repertoire conventionality in the German public theatre sector: an econometric analysis (2006)Public funding and repertoire…State Subsidies and Repertoire Conventionality in the Non-Profit English Theatre Sector: An Econometric Analysis (2005)State Subsidies and Repertoir…The Symphony Orchestra Repertory: A Research Note (2004)The Symphony Orchestra Repert…Organizing the musical canon (2002)Organizing the musical canonEmpirical Evidence of a Decline in Repertory Diversity among American Opera Companies 1991/92 to 1997/98 (2001)Empirical Evidence of a Decli…Programmatic Risk-Taking by American Opera Companies (2000)Programmatic Risk-Taking by A…Art, Ideology, and Politics. (1986)Art, Ideology, and Politics.The Structure of the Market and Musical Style: The Economics of Opera Production and Repertoire: An exploration (1975)The Structure of the Market a…Performing Arts: The Economic Dilemma. (1968)Performing Arts: The Economic…The Economics of Art and Culture (2001)The Concise Oxford Dictionary of Music (2007)Innovation and Selection: Symphony Orchestras and the Construction of the Musical Canon in the United States (1879-1959) (2010)How Product Order Affects Market Identity (2011)Economics of the Performing Arts (2019)Stability in Competition (1929)Stability in Competition (1990)The Production and Consumption of the Arts: A View of Cultural Economics (1994)Output Characteristics and Other Determinants of Theatre Attendance—An Econometric Analysis of German Data (2010)Cultural Innovation by Cultural Organizations (2013)The State and the Arts: An Analysis of Key Economic Policy Issues in Europe and the United States (1999)The Determinants of Artistic Innovation: Bringing in the Role of Organizations (2002)Place and culture-making: Geographic clumping in the emergence of artistic schools (2015)A New Approach to Consumer Theory (1966)A New Approach to Consumer Theory (1976)Creative industries: contracts between art and commerce (2000)Determinants of demand for traditional Chinese opera (2018)Performing Arts: The Economic Dilemma (1967)The Performing Arts: The Economic Dilemma (1973)Symphony Concert Demand: Does Programming Matter? (2013)Middle-Status Conformity Revisited: The Interplay between Achieved and Ascribed Status (2018)Performing Arts: The Economic Dilemma (1967)The Economics of Art and Culture: An American Perspective (1993)Beyond the division of attenders vs. non-attenders : a study into audience development in policy and practice (2000)Music in the Baroque Era from Monteverdi to Bach (1949)Performing Arts: The Economic Dilemma (1969)A Social History of Music: From the Middle Ages to Beethoven (1973)OPERA, MYTH, SOCIETY: HOW DO THEY CORRELATE? (2004)Repertoarna analiza ljubljanskega opernega uprizarjanja od ustanovitve Dramatičnega društva do danes (2019)Cultural entrepreneurship in nineteenth-century Boston: the creation of an organizational base for high culture in America (1982)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)From the Critics’ Corner: Logic Blending, Discursive Change and Authenticity in a Cultural Production System* (2005)Legitimacy as a Social Process (2006)Toward a Comparative Sociology of Valuation and Evaluation (2012)Congress, Presidents, and the Arts: Collaboration and Struggle (1988)The Public Interest in Public Culture (1991)Distribution of the arts: British arts centres as ‘gatekeepers’ in intersecting cultural production systems (1999)Nonprofit Enterprise in the Performing Arts (1981)The Cultural Industries Production System: A Case Study of Employment Change in Britain, 1984–91 (1997)Four models of the creative industries (2008)
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References

  • 1968Performing Arts: The Economic Dilemma.357 cited
  • 2002Organizing the musical canon83 cited
  • 2000Programmatic Risk-Taking by American Opera Companies58 cited
  • 2001Empirical Evidence of a Decline in Repertory Diversity among American Opera Companies 1991/92 to 1997/9850 cited
  • 2005State Subsidies and Repertoire Conventionality in the Non-Profit English Theatre Sector: An Econometric Analysis50 cited
  • 1986Art, Ideology, and Politics.37 cited
  • 2011Factors that influence programming decisions of US symphony orchestras23 cited
  • 2006Public funding and repertoire conventionality in the German public theatre sector: an econometric analysis22 cited
  • 2008Budgetary constraints and programmatic choices by Flemish subsidized theatres16 cited
  • 1975The Structure of the Market and Musical Style: The Economics of Opera Production and Repertoire: An exploration9 cited
  • 2004The Symphony Orchestra Repertory: A Research Note8 cited

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