Romanticism, music, nationalism

Abstract

Abstract In manifold ways, the stylistic and performative features and evolving genre conventions of nineteenth‐century ‘classical’ music reflect the increasing grip of nationalism on cultural attitudes inEurope. Conversely, music could become an important medium for the expression and dissemination of nationalist ideals. A cross‐national,European‐wide survey of this interpenetration between musical and ideological developments is applied towards a tentative typological outline of ‘musical nationalism’.

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